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Voice in a narrative

A trialogue with Ruth Finnegan

Dados Bibliográficos

ID5774656
AutoresSarali Gintsburg (0000-0003-2962-9534, Universidad de Navarra, autor correspondente), Luis Galván (0000-0001-8949-9546, Universidad de Navarra), Ruth Finnegan (0000-0002-0084-265X, The Open University)
Ano2021
Volume7
Fascículo1
Páginas1-20
Data de publicação2021-07-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoFrontiers of Narrative Studies (JOURNAL)
Identificadores do periódicoISSN: 2509-4890 • E-ISSN: 2509-4882
EditoraDe Gruyter (PUBLISHER • DE)
DOI10.1515/fns-2021-0001
OpenAlexW3181578728
IdiomaEN
Citações recebidas13
Referências citadas5

Ruth Finnegan FBA OBE (1933, Derry, Northern Ireland) took a DPhil in Anthropology at Oxford, then joined the Open University of which she is now an Emeritus Professor. Her publications include Oral Literature in Africa (1970), Oral Poetry (1977), The Hidden Musicians: Music-Making in an English Town (1989), and Why Do We Quote? The Culture and History of Quotation (2011). Ruth Finnegan was interviewed by Sarali Gintsburg (ICS, University of Navarra) and Luis Galván Moreno (University of Navarra) on the occasion of an online lecture delivered at the Institute for Culture and Society at the University of Navarra. In this trialogue-like interview, Ruth tells about the childhood experiences that were decisive for her interest in orality and storytelling, about her education and training as a Classicist in Oxford, the beginnings of her fieldwork in Africa among the Limba of Sierra Leone, and her recent activity as a novelist. She stresses the importance of voice, of its physical, bodily dimensions, its pitch and cadence; and then affirms the essential role of audience in communication. The discussion then touches upon several features of African languages, classical Arabic and Greek, and authoritative texts of Western culture, from Homer and the Bible to the 19th century novel. Through discussing her childhood memories, her assessment of the development and challenges of anthropology, and her views on the digital transformation of the world, Ruth concludes that the notion of narrative, communication, and multimodality are inseparably linked

Digital Storytelling · Multimodality · Orality · Digital Storytelling and Education · Multilingual Education and Policy · Narrative Theory and Analysis

  • Poetry and society

    Open Access•Ruth Finnegan•Oral poetry•2025

  • Introduction

    Open Access•Ruth Finnegan•Oral poetry•2025

  • Concluding comment

    Open Access•Ruth Finnegan•Oral poetry•2025

  • Style and performance

    Open Access•Ruth Finnegan•Oral poetry•2025

  • Transmission, distribution and publication

    Open Access•Ruth Finnegan•Oral poetry•2025

  • Composition

    Open Access•Ruth Finnegan•Oral poetry•2025

  • Afterword

    Open Access•Ruth Finnegan•Oral poetry•2025

  • Poets and their positions

    Open Access•Ruth Finnegan•Oral poetry•2025

  • Audience, context and function

    Open Access•Ruth Finnegan•Oral poetry•2025

  • Oral Poetry

    Open Access•Ruth Finnegan•Oral poetry•2025

  • Living a storied life

    Sarali Gintsburg, Mike Baynham•Frontiers of Narrative Studies•2024

  • Some approaches to the study of oral poetry

    Open Access•Ruth Finnegan, Mark Turin et al.•Oral poetry•2025

  • Many Faces of Omar

    Open Access•Sarali Gintsburg, Orit Sônia Waisman•Journal of International…•2024

  • Tales of the city

    Ruth H Finnegan•Tales of the city•1998

  • Oral Poetry

    Open Access•Ruth Finnegan•Oral poetry•2025

  • Oral literature in Africa

    Open Access•Ruth Finnegan•Oral literature in Africa•1970

  • Why Do We Quote? The Culture and History of Quotation

    Open Access•Ruth H Finnegan, Ruth Finnegan•Why do we quote•2011

  • How to Do Things with Words

    Ruth Finnegan•Man•1969

Obras citantes distintas13
Citações por ano6,5
Intervalo de citações2024 - 2025 (2)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 13
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