The Cinema of Attractions Reloaded
Dados Bibliográficos
| ID | 5776698 |
|---|---|
| Autores | Wanda Strauven (0000-0002-0823-7104, autor correspondente) |
| Ano | 2006 |
| Páginas | 460 |
| Data de publicação | 2006-01-01 |
| Open Access | Não |
| Tipo | BOOK |
| Periódico | The cinema of attractions reloaded (SOURCE_BOOK) |
| Editora | Amsterdam University Press (PUBLISHER • NL) |
| DOI | 10.5117/9789053569443 |
| OpenAlex | W4211198069 |
| Open Library | OL22745734M |
| ISBN | 9789053569443 |
| Idioma | EN |
| Citações recebidas | 96 |
| Referências citadas | 10 |
First of all, I wish to thank Tom Gunning and André Gaudreault for their enthusiastic response to this commemorative book project, for their confidence and their inspiration, and for their willingness to participate.My gratitude also goes to Thomas Elsaesser with whom I had the opportunity to regularly brainstorm on film historiographical issues over the last four years at the University of Amsterdam and who promptly accepted to add this anthology to his series of "Film Culture in Transition."Furthermore, I am grateful to all the contributors, whose positive reactions and often intense e-mail discussions kept me persevering in this long venture.One of the real challenges of this project was to bring together scholars from both sides of the Atlantic and to bridge the gap between the Anglo-Saxon and Francophone worlds.A special thanks goes to
Cinema and Media Studies · 20e siècle · Anthologies · Attractions (Spectacles) · Cinéma · Cinéma underground · Critique et interprétation · Experimental films · Filmkunst · Films expérimentaux · Filmtheorie · History · History and criticism · Motion picture audiences · Motion pictures
Entre a poesia e a ciência da informação
Japanese Modernity and Media Studies of Screens
Epistemic media and critical knowledge about the self
Beyond Neurocinematics
Ovid on Screen
Body, Capital, and Screens
Body, Capital and Screens
Screen Space Reconfigured
Géographie et cinéma
Attention, Music, Dance
Expanding the field of practice-based-research
States of Affection
The cinema of make-believe
Reanimating the History and the Forgotten Characteristics of the Zoetrope
Cosmic Zoom, Powers of Ten and the Contested Politics of Sense
Introduction to the Special Issue
Melancholy, respectability, and credibility in Sean Baker’s Tangerine
Primary sources for a definition of Cubism in cinema
Trembling Meaning
Expanded stereoscopy
The taste of video
Deepfaking Keanu
The Ultimate Ride
Pranks and the Viral Canon
Moving landscapes
Franz Kafka’s “Das Urteil” (1913) as Media History
The Moroccan Film Industry A Contre-Jour
Early Film Culture in Hong Kong, Taiwan, and Republican China
Rhythmic movement, the city symphony and transcultural transmediality
Framing and Reframing the Participation of the Communities, Groups, and Individuals Concerned
Cinematic gesture
Seeing a film in blindfolds
FoucaultianDispositifsas Methodology
Los políticos estadounidenses y el mundo del cine
Breaking and Making the Fourth Wall on YouTube
Two Recent Films from David MacDougall
What Is Spectacle
Usos del cine en la escuela
North Koreans at the movies
L’expérience « Medfilm »
Harder than fiction
Smut, novelty, indecency
From theater to laboratory
Green Marketing on the Go
Cinema beyond film
Reflections to projections
Contemplating imperialism
The grand opening of the movie theatre in the second birth of cinema
The mysterious affair of styles in the age of kine‐attractography
Sapho Kiss
Cinema by design
Intermediality
Space, Place, and Case
Building media history from fragments
Those funny subtitles’
From inventor to renter
Between stage and screen
The art of teaching against the grain
What the Moon is Like’
Ireland Bros.’ Pan-American Electric Carnival
Reading the cinematograph
The aesthetics of astonishment and contemplation in the early British scenic film
Miniature women, acrobatic maids , and self-amputating domestics
Viktor Shklovsky’s Ostrannenie and the ‘Hermeneutics of wonder’
Dziga Vertov's Revolutionary Variety Show
Beautiful to the eye, pleasing to the ear’
Late 1920s film theory and criticism as a test-case for Benjamin’s generalizations on the experiential effects of editing
Make Room for VR
Reaction Media
Virtual Reality’s New Synesthetic Possibilities
Vertical video
Feel the suspense! masculine positions and emotional interpellations in Swedish sports betting commercials
The historian is present
Transients, punks and hobos
The militarisation of aerial theatre
Spellbound
Windowscapes, dreamscapes and screen texts
An eighteenth-century theme park
Toy theater
Disciplining Physiological Psychology
Auf die Bühne gezaubert, dass man erstaunt”
Televisual Senses
Brigman Award Winner. Interstitial Reality
The Novel of Neronian Rome and its Multimedial Transformations
The past is a foreign country’
The Hybrid Hero
Of dogs and hot dogs
A Horse Is a Horse, Of Course, Of Course
Watching Hong Kong martial arts film under apartheid
Introduction
The origins of Moroccan narrative film
Ostrannenie
Cinema's Doppelgängers
Tessituras do excesso
O mutoscópio de Santos Dumont e a poética do found footage
As múltiplas faces de Valério Vieira
Modernity, Hyperstimulus, and the Rise of Popular Sensationalism
Information, storytelling and attractions
The Panicking Audience
Coming Attractions
Documentary Film and the Modernist Avant-Garde
From Charcot to Charlot
Chasing Film Narrative
Popular Culture on a Global Scale
With Skin and Hair
Negroes Laughing at Themselves? Black Spectatorship and the Performance of Urban Modernity
| Obras citantes distintas | 96 |
|---|---|
| Citações por ano | 6 |
| Intervalo de citações | 2010 - 2025 (16) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 92 |