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The Cinema of Attractions Reloaded

Dados Bibliográficos

ID5776698
AutoresWanda Strauven (0000-0002-0823-7104, autor correspondente)
Ano2006
Páginas460
Data de publicação2006-01-01
Open AccessNão
TipoBOOK
PeriódicoThe cinema of attractions reloaded (SOURCE_BOOK)
EditoraAmsterdam University Press (PUBLISHER • NL)
DOI10.5117/9789053569443
OpenAlexW4211198069
Open LibraryOL22745734M
ISBN9789053569443
IdiomaEN
Citações recebidas96
Referências citadas10

First of all, I wish to thank Tom Gunning and André Gaudreault for their enthusiastic response to this commemorative book project, for their confidence and their inspiration, and for their willingness to participate.My gratitude also goes to Thomas Elsaesser with whom I had the opportunity to regularly brainstorm on film historiographical issues over the last four years at the University of Amsterdam and who promptly accepted to add this anthology to his series of "Film Culture in Transition."Furthermore, I am grateful to all the contributors, whose positive reactions and often intense e-mail discussions kept me persevering in this long venture.One of the real challenges of this project was to bring together scholars from both sides of the Atlantic and to bridge the gap between the Anglo-Saxon and Francophone worlds.A special thanks goes to

Cinema and Media Studies · 20e siècle · Anthologies · Attractions (Spectacles) · Cinéma · Cinéma underground · Critique et interprétation · Experimental films · Filmkunst · Films expérimentaux · Filmtheorie · History · History and criticism · Motion picture audiences · Motion pictures

  • Entre a poesia e a ciência da informação

    Open Access•Carlos Adriano Jeronimo de Rosa, Claudio Marcondes Castro Filho•Liinc em Revista•2018

  • Japanese Modernity and Media Studies of Screens

    Open Access•Ryo Okubo•International Journal of Japanese…•2018

  • Epistemic media and critical knowledge about the self

    Open Access•Eran Fisher•Critical Sociology•2022

  • Beyond Neurocinematics

    Mamdooh Afdile•Leonardo•2022

  • Ovid on Screen

    Martin M Winkler•Ovid on Screen•2020

  • Body, Capital, and Screens

    Open Access•Christian Bonah, Anja Laukötter•Body, Capital, and Screens•2020

  • Body, Capital and Screens

    Christian Bonah, Anja Laukötter•Body, Capital, and Screens•2020

  • Screen Space Reconfigured

    Synne Bull, Susanne Saether et al.•Screen Space Reconfigured•2020

  • Géographie et cinéma

    Jean-François Staszak•Annales de Géographie•2014

  • Attention, Music, Dance

    Open Access•Davinia Caddy•Sound Stage Screen•2021

  • Expanding the field of practice-based-research

    Catherine Fowler•Media Practice and Education•2021

  • States of Affection

    Open Access•Jessica Morgan-Davies•Deleuze and Guattari Studies•2024

  • The cinema of make-believe

    Yanping Guo•Journal of Chinese Cinemas•2022

  • Reanimating the History and the Forgotten Characteristics of the Zoetrope

    Open Access•Christine Veras•Animation•2022

  • Cosmic Zoom, Powers of Ten and the Contested Politics of Sense

    Open Access•Spencer Roberts•Animation•2023

  • Introduction to the Special Issue

    Open Access•Rada Bieberstein, Erwin Feyersinger•Animation•2022

  • Melancholy, respectability, and credibility in Sean Baker’s Tangerine

    Open Access•Paige Macintosh•New Review of Film and Television…•2023

  • Primary sources for a definition of Cubism in cinema

    Alfonso Puyal•Journal of Romance Studies•2022

  • Trembling Meaning

    Open Access•Jiří Anger•Film-Philosophy•2021

  • Expanded stereoscopy

    Open Access•Max Hattler, Terrie Man-Chi Cheung•Convergence The International…•2023

  • The taste of video

    Open Access•Hadas Schlussel, Paul Frosh•Convergence The International…•2023

  • Deepfaking Keanu

    Open Access•Lisa Bode•Convergence The International…•2021

  • The Ultimate Ride

    Lennart Soberon•Journal of Film and Video•2021

  • Pranks and the Viral Canon

    Open Access•Tess Mcnulty•Journal of Cultural Analytics•2025

  • Moving landscapes

    John Edmond•Studies In Australasian Cinema•2011

  • Franz Kafka’s “Das Urteil” (1913) as Media History

    Open Access•Artun Ak•Humanities•2025

  • The Moroccan Film Industry A Contre-Jour

    Open Access•Kevin Dwyer•Anthropology, Film Industries,…•2021

  • Early Film Culture in Hong Kong, Taiwan, and Republican China

    Open Access•Emilie Yueh-Yu Yeh•Early Film Culture in Hong Kong,…•2018

  • Rhythmic movement, the city symphony and transcultural transmediality

    Ling Zhang•Journal of Chinese Cinemas•2015

  • Framing and Reframing the Participation of the Communities, Groups, and Individuals Concerned

    Jiyun Zhang•Heritage & Society•2025

  • Cinematic gesture

    Laura Mulvey•Journal for Cultural Research•2015

  • Seeing a film in blindfolds

    Arzu Karaduman•Sound Studies•2022

  • FoucaultianDispositifsas Methodology

    Open Access•Owen David Thomas•International Political Sociology•2014

  • Los políticos estadounidenses y el mundo del cine

    Open Access•Dario Migliucci•HISPANIA NOVA Primera Revista de…•2022

  • Breaking and Making the Fourth Wall on YouTube

    Open Access•James MacDowell•Quarterly Review of Film Studies•2025

  • Two Recent Films from David MacDougall

    A Grimshaw, Paul Hockings•Visual Anthropology•2011

  • What Is Spectacle

    Simon Lewis•Journal of Popular Film and…•2014

  • Usos del cine en la escuela

    Open Access•Inés Dussel•Estudos da língua(gem•2014

  • North Koreans at the movies

    Dima Mironenko•Journal of Japanese and Korean…•2016

  • L’expérience « Medfilm »

    Christian Bonah, Joël Danet•Tréma•2018

  • Harder than fiction

    Giovanna Maina, Federico Zecca•Porn Studies•2016

  • Smut, novelty, indecency

    Russell Sheaffer•Porn Studies•2014

  • From theater to laboratory

    Open Access•Sungyong Ahn•Journal of AESTHETICS & CULTURE•2019

  • Green Marketing on the Go

    K Wagner•Photography and Culture•2012

  • Cinema beyond film

    Malcolm Cook•Early Popular Visual Culture•2013

  • Reflections to projections

    Elizabeth Carlson•Early Popular Visual Culture•2011

  • Contemplating imperialism

    Alex W Bordino•Early Popular Visual Culture•2022

  • The grand opening of the movie theatre in the second birth of cinema

    Paul Moore•Early Popular Visual Culture•2013

  • The mysterious affair of styles in the age of kine‐attractography

    André Gaudreault, Philippe Marion•Early Popular Visual Culture•2010

  • Sapho Kiss

    Kiki Loveday•Early Popular Visual Culture•2023

  • Cinema by design

    Alice Thorpe•Early Popular Visual Culture•2017

  • Intermediality

    Andrew Shail•Early Popular Visual Culture•2010

  • Space, Place, and Case

    Paul Moore•Early Popular Visual Culture•2015

  • Building media history from fragments

    Phillip Roberts•Early Popular Visual Culture•2016

  • Those funny subtitles’

    Katherine Frances Nagels•Early Popular Visual Culture•2012

  • From inventor to renter

    Simon Brown•Early Popular Visual Culture•2013

  • Between stage and screen

    John K Allen•Early Popular Visual Culture•2021

  • The art of teaching against the grain

    Wanda Strauven•Early Popular Visual Culture•2020

  • What the Moon is Like’

    Artemis Willis•Early Popular Visual Culture•2017

  • Ireland Bros.’ Pan-American Electric Carnival

    Paul Moore•Early Popular Visual Culture•2024

  • Reading the cinematograph

    Andrew Shail•Early Popular Visual Culture•2010

  • The aesthetics of astonishment and contemplation in the early British scenic film

    Samantha L Wilson•Early Popular Visual Culture•2016

  • Miniature women, acrobatic maids , and self-amputating domestics

    Maggie Hennefeld•Early Popular Visual Culture•2015

  • Viktor Shklovsky’s Ostrannenie and the ‘Hermeneutics of wonder’

    Open Access•Annie Van Den Oever, Tom Gunning•Early Popular Visual Culture•2020

  • Dziga Vertov's Revolutionary Variety Show

    Robert Machado•Early Popular Visual Culture•2012

  • Beautiful to the eye, pleasing to the ear’

    Andy Uhrich•Early Popular Visual Culture•2015

  • Late 1920s film theory and criticism as a test-case for Benjamin’s generalizations on the experiential effects of editing

    Mario Slugan•Early Popular Visual Culture•2016

  • Make Room for VR

    Open Access•James N Gilmore, B Blair•Television & New Media•2024

  • Reaction Media

    Open Access•Lauren Bliss, Bjørn Nansen•Television & New Media•2022

  • Virtual Reality’s New Synesthetic Possibilities

    Open Access•Miriam Ro•Television & New Media•2018

  • Vertical video

    Open Access•Kathleen M Ryan•Visual Communication•2017

  • Feel the suspense! masculine positions and emotional interpellations in Swedish sports betting commercials

    Open Access•K Goedecke•Feminist Media Studies•2022

  • The historian is present

    Open Access•Kim Nelson•Rethinking History•2022

  • Transients, punks and hobos

    Kornelia Boczkowska•Rethinking History•2023

  • The militarisation of aerial theatre

    Brett Holman•Contemporary British History•2018

  • Spellbound

    Open Access•Pasi Väliaho•Space and Culture•2013

  • Windowscapes, dreamscapes and screen texts

    Kornelia Boczkowska•Text and Performance Quarterly•2024

  • An eighteenth-century theme park

    Open Access•Boris Stepanov, Natalia Samutina•Urban History•2017

  • Toy theater

    Sharon Aronofsky Weltman•Nineteenth Century Contexts•2024

  • Disciplining Physiological Psychology

    Open Access•Tom Quick•Science in Context•2017

  • Auf die Bühne gezaubert, dass man erstaunt”

    Laurent Guido•Seminar A Journal of Germanic…•2010

  • Televisual Senses

    Open Access•Stacy M Jameson•The Journal of Popular Culture•2015

  • Brigman Award Winner. Interstitial Reality

    Open Access•Brian Welesko•The Journal of Popular Culture•2014

  • The Novel of Neronian Rome and its Multimedial Transformations

    Monika Woźniak, Maria Wyke•Novel of Neronian Rome and Its…•2020

  • The past is a foreign country’

    Daniela Berghahn•Transnational Screens•2019

  • The Hybrid Hero

    Open Access•Benjamin Van Tourhout•Journal of Humanistic Psychology•2017

  • Of dogs and hot dogs

    Pao-chen Tang•Early Popular Visual Culture•2016

  • A Horse Is a Horse, Of Course, Of Course

    Open Access•Jennifer M Barker•Somatechnics•2018

  • Watching Hong Kong martial arts film under apartheid

    Cobus Van Staden•Journal of African Cultural Studies•2017

  • Introduction

    Daniel Patrick Morgan, Daniel Morgan•boundary 2•2022

  • The origins of Moroccan narrative film

    Mohamed El Bouayadi•The Journal of North African…•2024

  • Ostrannenie

    Eyal Segal•Poetics Today•2013

  • Cinema's Doppelgängers

    Open Access•Doug Dibbern•Cinema's Doppelgängers•2021

  • Tessituras do excesso

    Open Access•Mariana Baltar•Significação Revista de Cultura…•2012

  • O mutoscópio de Santos Dumont e a poética do found footage

    Open Access•Carlos Adriano•Anais do Museu Paulista História…•2018

  • As múltiplas faces de Valério Vieira

    Open Access•Érico Monteiro Elias•Anais do Museu Paulista História…•2021

  • Modernity, Hyperstimulus, and the Rise of Popular Sensationalism

    Ben Singer•Cinema and the Invention of…•2023

  • Information, storytelling and attractions

    Open Access•Mats Ekström•Media Culture & Society•2000

  • The Panicking Audience

    Stephen Bottomore•Historical Journal Of Film Radio…•1999

  • Coming Attractions

    Sheri Chinen Biesen•Historical Journal Of Film Radio…•2009

  • Documentary Film and the Modernist Avant-Garde

    Bill Nichols•Critical Inquiry•2001

  • From Charcot to Charlot

    Rae Beth Gordon•Critical Inquiry•2001

  • Chasing Film Narrative

    Jonathan Auerbach•Critical Inquiry•2000

  • Popular Culture on a Global Scale

    Simon During•Critical Inquiry•1997

  • With Skin and Hair

    Miriam Hansen•Critical Inquiry•1993

  • Negroes Laughing at Themselves? Black Spectatorship and the Performance of Urban Modernity

    Jacqueline Stewart•Critical Inquiry•2003

Obras citantes distintas96
Citações por ano6
Intervalo de citações2010 - 2025 (16)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 92
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