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Through the Bamboo Thicket

The Social Process of Tabwa Ritual Performance

Dados Bibliográficos

ID5778968
AutoresAllen F Roberts (0000-0001-9024-1542, autor correspondente)
Ano1988
Volume32
Fascículo2
Páginas123-123
Data de publicação1988-01-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoTDR/The Drama Review (JOURNAL)
Identificadores do periódicoISSN: 1054-2043 • E-ISSN: 1531-4715
EditoraJSTOR (PUBLISHER)
DOI10.2307/1145855
OpenAlexW2315778108
IdiomaEN
Citações recebidas4
Referências citadas3

In processual microcosm of performance (Turner 1985:183), elements of one's chaotic, ineffable, and/or inchoate experience are found to be significant.1 Bringing about such a recognition is the of ritual. Through divination and related rituals people remember, revise, rearrange, and reconstitute elements of to understand and cope with present difficulties, so that a better future can be expected. History is not absolute. Knowledge is not immutable. Rather, understanding is an ongoing process. People have no with a capital H; instead, they engage in historization (see Davis-Roberts 1981 ). Personal past and collective tradition are invented as need arises, despite what inside informants and outside observers may say to contrary.2 As Luc de Heusch has written, history molds itself in categories of symbolic thought (1982:229). The nature of these categories-that is, of logic itself-is such that ideas and inventions appropriate to present needs often seem to have existed always. Instead, as Richard Schechner has suggested, they are restored behavior, or rebehavior (I985:36). Logic is retroactive, and in social dramas actors can compose a me that is both consistent with past and appropriate to present. This important is effected through performance, what Schechner calls twice-behaved behavior (1985:36). Squeezing 'meaning' out of an event, as Victor Turner wrote (1982:13), occurs in performances that structure standpoint and context (see Kapferer I986:I94). A study of Tabwa divination seances and sequences of action they imply reveal dynamics of society: how each new situation is understood and decisions are made. The work of ritual is serious business, as individual actors attempt to understand, cope with, and take action to redress crises of health and social welfare. People reflect upon way life is and how it works in moments of performance. They do so in heightened contexts of crises when failure to take action, or rather failure to take proper action, may lead to intense suffering, death, or destruction

Absolute (philosophy · African history and culture analysis

  • Part I—Dedication to Professor Allen F. Roberts

    Degenhart Brown, Karen E Milbourne et al.•Ufahamu A Journal of African…•2022

  • Les charmes du roi sont les esprits des morts

    Open Access•Pierre Petit•Africa•1996

  • Precolonial Tabwa Textiles

    Open Access•Allen F Roberts•Museum Anthropology•1996

  • Matrilineal motives

    Open Access•Andrew Apter•Journal of the Royal Anthropologica…•2012

  • The Invention Of Tradition

    Eric Hobsbawm, Terence O Ranger•Invention of Tradition•2012

  • The Drunken King, or, The Origin of the State

    Randall M Packard, Luc De Heusch et al.•The International Journal of…•1984

  • Revelation and Divination in Ndembu Ritual

    Jan Vansina, Victor Turner•The International Journal of…•1977

Obras citantes distintas4
Citações por ano0,13
Intervalo de citações1996 - 2022 (27)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 4
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