Surrealismo No Brasil

de Carvalho and Jorge de Lima, more especifically, in their respective books: A origem animal de deus (1973), O púcaro búlgaro (1964) and Invenção de Orfeu (1952).These writers suggest a dialogical relation with the surrealist poetic that is not dogmatic, but derived from correlations and multiples combinations.Departing from an anthropological perspective, this thesis problematizes an investigation regarding the several theoretical concepts of a surrealist poetic contained in the works, in the speeches and in the thinkings of these three writers that assume the craft of the artistic creation as a Weltanschauung capable of weaving their specific world point of views.The hypothesis outlined here is that, as surrealism has not been incorporated to the aesthetic precepts of brazilian literary avant-garde, its scope of work has been regarded as a case of secundary reception.The reexamination of their work suggests that surrealism, in the first half of the twentieth century, has created a unique space of cultural critique in Brazil, free from hegemonical tradition, which allowed bolder experimentations on the writing field

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• The Historical Materialist Critique of Surrealism and Postmodernist Ethnography

  Steven Webster•Modernist Anthropology•1990

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• A Cautious Prometheus? A Few Steps Toward a Philosophy of Design with Special Attention to Peter Sloterdijk

  Open Access•Bruno Latour•In Medias Res•2012

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• Le Parti Pris Des Choses

  BLOSSOM MARGARET DOUTHAT•French Studies•1959

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• Dreamtime

  Hans Peter Duerr•Traumzeit•1985

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