Farocki/Godard

PReFACe tO the enGlIsh eDItIOn 13 is much more to say about their elective affinities, and I would be happy if this book could become the starting point for a wider discussion.Now that I am writing this preface, my deepest regret is that Harun Farocki is no longer here to share his immense knowledge, inventiveness, wit, integrity, and intelligence with us.His sudden and unexpected death in July 2014 turns the following pages into a document of sorrow and commemoration.I feel an enormous gratitude for having known him, and dedicate this book to his memory.Berlin

Art · Art, Politics, and Modernism · Cinema and Media Studies · Italian Fascism and Post-war Society · Materials Science · Criticism and interpretation · Film theory & criticism · Motion picture producers and directors · Motion pictures · Philosophy

• Toward a Critique of Algorithmic Violence

  Open Access•Rocco Bellanova, Kristina Irion et al.•International Political Sociology•2021

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• Jean-Luc Godard’s Prénom

  Michael Baumgartner•Music, Sound, and the Moving Image•2021

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• The surrogate labor of the eye

  Open Access•Tereza Stejskalová•Journal of AESTHETICS & CULTURE•2022

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• A new image of man”

  Open Access•Henrik Gustafsson•Journal of AESTHETICS & CULTURE•2020

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• In Love with My Footage

  Open Access•M Van De Port•Visual Anthropology Review•2018

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• Imagens de tempo nas poéticas tecnológicas de Harun Farocki, Bill Viola e Anthony McCall

  Open Access•Fernanda Albuquerque De Almeida•2019

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• The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media

  Walter Benjamin, Michael W Jennings et al.•Work of Art in the Age of Its…•2008

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• The Burden of Representation

  Open Access•John Tagg•Burden of Representation•1988

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• Literary Theory

  Jonathan Culler, Jonathan D Culler•Literary theory•2011

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• The Geopolitical Aesthetic

  Paul O'Brien, P T O’Brien et al.•Circa•1993

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• The dialectic of enlightenment

  Open Access•Julian Roberts•The Cambridge companion to…•2004

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• The Order of Things

  Michel Foucault•The Order of Things•2018

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• Ideological Effects of the Basic Cinematographic Apparatus

  Jean-Louis Baudry, Alan Williams•Film Quarterly•1974

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• The Self-Aware Image

  Yael Even•Sixteenth Century Journal•2000

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• The World Viewed. Reflections on the Ontology of Film

  Natalie Harris Bluestone, Stanley Cavell•Modern Language Notes•1972

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• Looking at the Overlooked. Four Essays on Still Life Painting

  John W Cooper, Norman Bryson•Leonardo•1991

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• Understanding media

  Marshall Mcluhan, Marshal McLuhan•Understanding media•1994

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• Optical Media

  Larson Powell•Historical Journal Of Film Radio…•2011

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• War and Cinema

  Clayton R Koppes, Paul Virilio et al.•Technology and Culture•1991

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• Deconstruction and Philosophy

  Ralph Flores, John Sallis•SubStance•1988

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• Metafiction

  Ann Jefferson, Patricia Waugh•Poetics Today•1986

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• Philosophy as a Kind of Writing

  Richard Rorty•New Literary History•2008

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• Symptoms of Theory or Symptoms for Theory

  Jameson, Fredric Jameson et al.•Critical Inquiry•2004

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