African Art and Authenticity
A Text with a Shadow
Dados Bibliográficos
| ID | 5852013 |
|---|---|
| Autores | Sidney Littlefield Kasfir (autor correspondente) |
| Ano | 1992 |
| Volume | 25 |
| Fascículo | 2 |
| Páginas | 40-40 |
| Data de publicação | 1992-04-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | African Arts (JOURNAL) |
| Identificadores do periódico | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Editora | JSTOR (PUBLISHER) |
| DOI | 10.2307/3337059 |
| OpenAlex | W2044080690 |
| Idioma | EN |
| Citações recebidas | 73 |
Sztuka i kultura Afryki Południowej. W poszukiwaniu tożsamości artystycznej na tle przekształceń historycznych
Life in a Zulu Village
Uma exposição de arte da África pós-colonial na VI Bienal de São Paulo (1961)
Divergent Connections
‘He States That This is the Most Lovely Building He Has Ever Had the Pleasure of Seeing . . . ’
Exposer de l’art bushman en Suisse
Elephants in Norway
African tourist art as tradition and product of the postcolonial exotic
Development Process of Souvenir Paintings in the Tourist Areas in East Africa
Margaret Trowell’s School of Art or How to Keep the Children’s Work Really African
Emancipation or Attachments
Osun-Osogbo Sacred Grove (2005, 2011)
Analogue , 1998-2007
The Art of Emergency
Making names
The Postcolonial Constellation
A Pioneering Collection
In the service of archaeology and community
In pursuit of virtuosity
Exhibiting repair in twenty-first-century reinstallations of African collections
Da resistência africanista ao suvenir africano
L’art Paléolithique est-il un « art »
Art in South Africa
Selling Authenticity in the Bamum Kingdom in 1929–1930
Protecting Africa’s traditional knowledge
Visions, writings and walls
Art by any other name
Domesticating the Global
Embodying the Nation
Space Invaders
Authenticating Ethnic Tourism
The Marco Polo syndrome
Scrap Irony
High art as tourist art, tourist art as high art
Teaching African Artisanry, Seeing African Labor
Rural” and “Urban” Locales as Complements
Tourist arts in Africa before tourism
Cleverest of the Clever
Tourist Aesthetics in the Global Flow
Paleolithic Art Studies at the Beginning of the Twenty-First Century
When the Object of Transmission Is Not an Object
The Ecole de Dakar
Beyond Single Stories
Between African Sculpture and Black Diasporic Experiences
Never at Rest
So, What Do We Do Now
Expressive Currencies
The Vigango Affair
Sidney Littlefield Kasfir 1939–2019
The tourist as patron of the arts
Promoting “African Art” and African Modernisms in Johannesburg in the 1960s
Eastern African migrant ‘modernism
Hopi Doll Look-Alikes
Hollywood Icons, Local Demons
Symbols of a new nation
Geographical Representations Embedded within Souvenirs in Niagara
Itinerários de Willie Bester nos cenários da África do Sul e de expografia mundializada
Mashinamu na Uhuru
Tourism dance performances authenticity and creativity
Migração makonde, produção de esculturas e mercado de arte no Tanganyika
Modernismo Primitivista
The carver in Africa
Faire briller le « village » Expériences esthétiques des amateurs et amatrices d'art africain au Burkina Faso
Sacrés curios
African Meanings, Western Words
Stealing a Good Idea
Locating "Tradition" in the Striped Textiles of Banaue, Ifugao
Shona Sculpture's Struggle for Authenticity and Value
From Samburu Heirloom to New Age Artifact
The real thing? Souvenir objects in the West African collections at the Manchester Museum
The Things We Now Call Fake Will in the Future Become Authentic Objects
Exporting the Dance Traditions
Laying Waste to History
| Obras citantes distintas | 73 |
|---|---|
| Citações por ano | 2,15 |
| Intervalo de citações | 1992 - 2026 (35) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 73 |