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Harmony as Performance

The Turbulence Under Chinese Interpersonal Communication

Dados Bibliográficos

ID5966447
AutoresHui-Ching Chang (University of Illinois Chicago), Hui‐ching Chang (0000-0002-1579-7601, University of Illinois Chicago, autor correspondente)
Ano2001
Volume3
Fascículo2
Páginas155-179
Data de publicação2001-05-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoDiscourse Studies (JOURNAL)
Identificadores do periódicoISSN: 1461-4456 • E-ISSN: 1461-7080
EditoraSAGE Publications Inc (PUBLISHER)
DOI10.1177/1461445601003002001
OpenAlexW1981563958
IdiomaEN
Citações recebidas22
Referências citadas59

This article explores how `social harmony' as cultural performance, is conducted by Chinese in their conversation at the surface level, with turbulence and manipulation concealed beneath superficial politeness. Although their more collective cultural orientation may lead them to greater cooperation and less confrontation, Chinese also develop artfully crafted messages to communicate competition and frustration. Selected discourse samples collected in Taiwan were analyzed in depth to show how social harmony may become a matter of external display, constructed, enacted and negotiated through participants' verbal exchanges in their moment-to-moment interaction. It is concluded that superficial harmony allows the extensive web of interpersonal connections and hierarchical positioning to be maintained with minimal discord, while at the same time concealing underlying aggressiveness and ulterior motives

Aesthetics · Conversation · Interpersonal communication · Interpersonal interaction · Linguistics · Nonverbal communication · Politeness · Social harmony · Sociology · Visual arts · Communication · Discourse Analysis in Language Studies · Language, Discourse, Communication Strategies · Language, Metaphor, and Cognition · Psychology · Social Psychology

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Obras citantes distintas22
Citações por ano0,92
Intervalo de citações2002 - 2026 (25)
Velocidade de citaçãocurrent
Altamente citadoNão
Tipos de citaçãoNeutras: 22
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