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Freud as Milton’s God

Mapping the Patriarchal Cosmos in Psychoanalysis and Paradise Lost

Dados Bibliográficos

ID6032298
AutoresPeter L Rudnytsky (autor correspondente)
Ano2014
Volume71
Fascículo3
Páginas253-287
Data de publicação2014-09-01
Open AccessNão
TipoARTICLE
PeriódicoAmerican imago (JOURNAL)
Identificadores do periódicoISSN: 0065-860X • E-ISSN: 1085-7931
EditoraProject MUSE (PUBLISHER • US)
DOI10.1353/aim.2014.0016
OpenAlexW2084600293
IdiomaEN
Referências citadas9

The first section of this essay reviews the debate between Milton’s theological critics, C. S. Lewis and Stanley Fish, and the heirs to the Romantics, A. J. A. Waldock and William Empson, and argues that no answer was found to Fish’s theory of the “fallen reader.” The second section responds to the theological critics by fusing Kenneth Burke’s framework of “logology,” which reveals the Fall to be inevitable from a narrative standpoint, with an analysis, indebted principally to Bernard Paris, of God as a literary character impelled by narcissism and Heaven as a “glory system.” The final section takes up the parallels between Freud and Milton’s God, and between the cosmos of Paradise Lost and the history and theory of psychoanalysis in its classical form

Art · Art history · Character (mathematics) · Cosmos (plant) · Glory · Heaven · Literature · Narrative · Paradise · Parallels · Psychoanalysis · Section (typography) · Theology · American Constitutional Law and Politics · Biblical Studies and Interpretation · Philosophy · Religious Studies and Spiritual Practices

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