Project Holocene
The Clayful Phenomenology of Jōmon Flame Pots
Dados Bibliográficos
| ID | 6043902 |
|---|---|
| Autores | Paul Louis March (0000-0002-1521-6002, autor correspondente) |
| Ano | 2021 |
| Volume | 31 |
| Fascículo | 1 |
| Páginas | 1-19 |
| Data de publicação | 2021-02-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Cambridge Archaeological Journal (JOURNAL) |
| Identificadores do periódico | ISSN: 0959-7743 • E-ISSN: 1474-0540 |
| Editora | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0959774320000189 |
| OpenAlex | W3027101710 |
| Idioma | EN |
| Citações recebidas | 4 |
| Referências citadas | 50 |
As a ceramic artist, I was surprised to find that archaeological research gives little attention to the extraordinary sensorial qualities of Jōmon flame pots. To understand why, I consider the challenges of including sensory experience in archaeological method and the problems of leaving it out. Turning to the typological approach to Jōmon pottery, I highlight the assumptions it makes about cognition before introducing Material Engagement Theory (MET) as an alternative. A MET-oriented reanalysis of the typological evidence places sensation at the centre of enquiry and removes the need to interpret symbolic, representational content. Through MET, I consider the sensorial qualities of flame pots, not as prehistory but as they appeared recently and unexpectantly during the process of modelling clay into sculptures for a contemporary art project. Flame pots joined conceptually with the explorative activity of clay. A prehistoric/contemporary artefact/modelling system was created and developed itself into a method of monitoring intra-systemic experience—clayful phenomenology. The findings cover five themes: enacted agency, iconicity from indexicality, bending rules/undermining habits, the choreography of material engagement and the phenomenology of space
Aesthetics · Archaeology · Art · Epistemology · Iconicity · Indexicality · Linguistics · Pottery · Prehistory · Psychoanalysis · Sociology · The Symbolic · Visual arts · Aesthetic Perception and Analysis · Anthropology · Embodied and Extended Cognition · History · Innovative Human-Technology Interaction · Philosophy · Psychology
Art And Agency
The Creative Mind
Thinking Through Material Culture
Archaeology and the Senses
Anthropology Art and Aesthetics
How Things Shape the Mind
The textility of making
At the Potter’s Wheel
The Extended Mind
Creative thinging
Metaplasticity and the Primacy of Material Engagement
Representing people, constituting worlds
Arrangement of Vinča culture figurines
Prehistoric Japanese Arts
Jomon of Japan
An Illustrated Companion to Japanese Archaeology
Tools for the Hand, Language for the Face
The Beginnings of Japanese Art
Prehistoric Japan
The Oxford Handbook of Prehistoric Figurines
A thousand plateaus
Japanese Prehistory
Prehistoric Japan
Art’ in Archaeology and Anthropology
Digital Sensoriality
Visually Complex Objects, Ontology of Space and Political Dynamics
The Archaeology of Mind
Communication and Material Culture
Disarticulate—Repurpose—Disrupt
Towards an Archaeology of Everyday Aesthetics
Mind and material engagement
Sensorial Assemblages
Archaeology and Assemblage
The Autonomy of Affect
The Concept of Art as Archaeologically Applicable
Intentionality
Experimental approaches to archaeological ceramics
Debating Jomon Social Complexity
Vogel's Net
| Obras citantes distintas | 4 |
|---|---|
| Citações por ano | 1 |
| Intervalo de citações | 2022 - 2025 (4) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 4 |