Images delegitimized and discouraged
Explicitly political art and the arbitrariness of the unspeakable
Dados Bibliográficos
| ID | 6093786 |
|---|---|
| Autores | Banu Karaca (0000-0001-6943-8965, Sabancı Üniversitesi, autor correspondente) |
| Ano | 2011 |
| Volume | 45 |
| Páginas | 155-183 |
| Data de publicação | 2011-01-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | New Perspectives on Turkey (JOURNAL) |
| Identificadores do periódico | ISSN: 0896-6346 • E-ISSN: 1305-3299 |
| Editora | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0896634600001345 |
| OpenAlex | W2151846905 |
| Idioma | EN |
| Citações recebidas | 13 |
| Referências citadas | 11 |
While the increasing interest in contemporary art from Turkey has centered on explicitly political works, discussions on the limitations of the freedom of expression have likewise come under the spotlight, not least with regard to Turkey's EU candidacy. In contrast to the attempts of complete suppression marking the 1980 coup d'état and its aftermath, current censorship mechanisms aim to delegitimize and discourage artistic expressions (and their circulation) that can be construed as threatening the territorial integrity and sovereignty of the Turkish state, and to turn their producers into targets. This article investigates selected images produced in the contemporary art world between 2005 and 2008, which were taken to transcend the limits of what constitutes tolerable depictions of Turkey's socio-political realities. It examines current modalities of censorship in the visual arts and the different actors involved in silencing efforts. The cases show that within these fields of delimitation there are considerable contingencies: The domain of the unspeakable remains unclearly mapped. I argue that it is because, not despite, this arbitrariness that delegitimizing interventions are successful, in that they (a) create incentives for self-censorship, and (b) produce defenses of artistic freedom that, by highlighting the autonomy of art, to some extent consolidate a conceptual separation of art from politics
Aesthetics · Arbitrariness · Art · Autonomy · Censorship · Democracy · Epistemology · Law and economics · Modalities · Political economy · Political science · Politics · Realm · Social science · Sociology · Sovereignty · State (computer science · Italian Fascism and Post-war Society · Law · Law in Society and Culture · Philosophy · Turkey's Politics and Society
The Aesthetics of Global Protest
The limits of freedom
(Non)Art labor
Biennials that promote an ‘emancipatory politics’
It Used to Be Forbidden”
Organizing Popular Discourse with and against the Media
From streets to courthouses
Found Objectionable”
Reconfiguring the Turkish Cultural Public Sphere
Accented Essays
Legally Armenian
Being sick of politics
Writing against loss
| Obras citantes distintas | 13 |
|---|---|
| Citações por ano | 1,08 |
| Intervalo de citações | 2014 - 2026 (13) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 13 |