Hearing, listening and the voice
Dados Bibliográficos
| ID | 6130124 |
|---|---|
| Autores | Arnfinn Bø-Rygg (University of Oslo, autor correspondente) |
| Ano | 2015 |
| Volume | 38 |
| Fascículo | 2 |
| Páginas | 141-151 |
| Data de publicação | 2015-07-03 |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | The Scandinavian Psychoanalytic Review (JOURNAL) |
| Identificadores do periódico | ISSN: 0106-2301 • E-ISSN: 1600-0803 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01062301.2015.1104808 |
| OpenAlex | W2274512392 |
| Idioma | EN |
| Citações recebidas | 1 |
| Referências citadas | 3 |
As several others have done, the author starts by illustrating that Western thought has been dominated by visual metaphors and concepts. The author then investigates some exceptions from occularism, going into depth with Martin Heidegger’s thinking. Bø-Rygg shows how Roland Barthes can be said to have developed a phenomenology of listening and the voice. Using concrete musical examples, the author shows differences in how the voice has been used, from bel canto to screams. In a short Epilogue he gives some hints about the rustling of sound and language
Active listening · Art · Epistemology · Linguistics · Literature · Musical · Phenomenology (philosophy) · Communication · Media, Communication, and Education · Musicology and Musical Analysis · Philosophy · Psychology · Visual Culture and Art Theory
| Citações por ano | 0,33 |
|---|---|
| Intervalo de citações | 2023 - 2023 (1) |
| Altamente citado | Não |