On multiple agencies
When Do Things Matter
Dados Bibliográficos
| ID | 7094615 |
|---|---|
| Autores | Maria Erofeeva (0000-0002-0874-5272, Russian Federation, autor correspondente) |
| Ano | 2019 |
| Volume | 22 |
| Fascículo | 5 |
| Páginas | 590-604 |
| Data de publicação | 2019-01-18 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Information Communication & Society (JOURNAL) |
| Identificadores do periódico | ISSN: 1369-118X • E-ISSN: 1468-4462 |
| Editora | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/1369118x.2019.1566486 |
| OpenAlex | W2910941391 |
| Idioma | EN |
| Citações recebidas | 5 |
| Referências citadas | 40 |
The late twentieth century sociology began to recognise the performative role of technological artefacts in human lives. These objects enact their non-human agency by actions that human users cannot completely control. This paper critically assesses existing approaches that investigate the relation of human and non-human agencies (actor-network theory, the ventriloqual perspective on communication, contemporary affordance theory). The main focus of this article is the challenge of describing the performative influence of routine and invisible objects. By analysing existing approaches that employ the concepts of inscriptions and attachments, the paper argues that the ventriloqual perspective on communication is human-centered because it assesses the relevance of an object by pointing to a person's attitude to it (attachment). In turn, actor-network theory is object-centered as it emphasizes the visible performativity of technologies (inscriptions) and ignores the action possibilities provided by them. Meanwhile, contemporary affordance theory helps to extend the agency of things to their potential performances. Despite the shortcomings and merits of existing approaches, each of these frameworks employ multiple types of agencies without full acknowledgement. Using the examples of several empirical studies, the author shows that there is a lack of conceptual clarity when trying to account for the agency of routine and invisible objects. By reconciling the inscription and affordance perspectives, the author delineates four types of agencies that material objects can enact. In the conclusion, theoretical and methodological implications for future research are discussed
Business · Anthropological Studies and Insights · Geographies of human-animal interactions · Information Systems Theories and Implementation
On the Multimodal Resolution of a Search Sequence in Virtual Reality
Choreo-graphic design
Electronic Health Records reshaping the socio-technical practices in Long-Term Care of older persons
Nonhuman situational enmeshments—How participants build temporal infrastructures for ChatGPT
Absence as an affordance
Source Orientation in Human-Computer Interaction
Which Road to Follow? The Moral Complexity of an “Equipped” Humanity
How To Do Things With Words
The Social Life of Things
Action and Agency in Dialogue
Textual Agency
Technology as Materialized Action and Its Ambivalences
The quest for appropriate models of human-likeness
Theorizing Affordances
Communication Theory at the Center
The Materiality of Technology
Bruno Latour
Materiality and Organizing
Gabriel Tarde and the End of the Social
Reassembling the Social
On Interobjectivity
Attachments, you say? … How a concept collectively emerges in one research group
Explicating Affordances
The agency of things
Another turn after ANT
On Shadowing the Hybrid Character of Actions
Diving in magma
The whole is always smaller than its parts' - a digital test ofGabrielTardes' monads
In Our Place
Cutting the Network
The Plurality of Cognitive Formats and Engagements
Sociality with Objects
Material Objects in Social Worlds
The Status of the Object
Bodies, Technologies and Action Possibilities
Technologies, Texts and Affordances
| Obras citantes distintas | 5 |
|---|---|
| Citações por ano | 0,83 |
| Intervalo de citações | 2020 - 2026 (7) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 5 |