Literary Responses to the Mughal Imperium
The Historical Poems of Keśavdās
Dados Bibliográficos
| ID | 7096446 |
|---|---|
| Autores | Allison Busch (The University of North Carolina, USA, autor correspondente) |
| Ano | 2005 |
| Volume | 25 |
| Fascículo | 1 |
| Páginas | 31-54 |
| Data de publicação | 2005-05-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | South Asia Research (JOURNAL) |
| Identificadores do periódico | ISSN: 0262-7280 • E-ISSN: 1741-3141 |
| Editora | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/0262728005051606 |
| OpenAlex | W1964942206 |
| Idioma | EN |
| Citações recebidas | 27 |
| Referências citadas | 1 |
The penetration of Mughal power into previously autonomous regional kingdoms produced significant political, but also literary effects. In this article, I trace the advent of the Mughal political order to the princely state of Orcha (located in what is now north-western Madhya Pradesh) through the eyes of Keśavdās (fl. 1600), the leading poet from that court. Keśavdās is famous in Hindi literary circles as one of the progenitors of the Brajbhasha rīti tradition, a constellation of courtly poetic and intellectual practices that flourished in a climate of mixed Mughal and sub-imperial patronage. There is a pronounced tendency to think of Keśavdās’s work (and that of most rīti poets) as a corpus of baroque, purely decorative poems largely comprising time-worn erotic and devotional themes. This preliminary study of Keśavdās’s three historical poems will help to complicate such an understanding by bringing into our conceptual purview a fuller range of rīti textual expression. These lesser known works by one of the foremost rīti poets are certainly striking for their literary accomplishments, but they also serve as an invaluable window onto a critical moment in Orcha history. They constitute the perfect testing ground for the enterprise of retrieving historical meaning from the literary sources that were the dominant form of pre-modern Indian courtly self-expression, and the methodology employed here is to critically engage both aesthetic and historical perspectives simultaneously
Art · History of literature · Literature · Poetry · Politics · Anthropological Studies and Insights · History · Indian and Buddhist Studies · Law · South Asian Studies and Conflicts
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Indian Vernacular History-writing and Its Ideological Engagement
History and Other Engagements with the Past in Modern South Asian Writing/s
Watch Out, Pun
Recognition through Traditional Values. A Literary Representation of dāna* as an Essential Way of Boosting Royal Worthiness
The Mogor as Venomous Hydra
Unhitching the Oxcart of Delhi”
Who Killed Arjun Singh
Listen O King
Making Sense of Temples and Tirthas
State-building and the Management of Diversity in India (Thirteenth to Seventeenth Centuries)
The Last Cakravartin? The Gujarat Sultan as ‘Universal King’ in Fifteenth Century Sanskrit Poetry
The oracle landscape of Orchha, India
Mongol, Muslim, Rajput
Beyond power and praise
Justifying Defeat
Rethinking Kingship and Authority in South Asia
Portrait of a Raja in a Badshah’s World
A South Asianist's Response to Lieberman's Strange Parallels
Tribe, Diaspora, and Sainthood in Afghan History
Krishna's Neglected Responsibilities
Cultural flows and cosmopolitanism in Mughal India
| Obras citantes distintas | 27 |
|---|---|
| Citações por ano | 1,5 |
| Intervalo de citações | 2008 - 2022 (15) |
| Velocidade de citação | historical |
| Altamente citado | Não |
| Tipos de citação | Neutras: 27 |