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Conceptual opposition “Life – Death” in the lyrics of S. S. Dinislamova

Dados Bibliográficos

ID7264682
AutoresЕ V Kosintseva (0000-0001-6695-0218, autor correspondente)
Ano2025
Volume15
Fascículo3
Páginas421-428
Data de publicação2025-01-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoBulletin of Ugric studies (JOURNAL)
Identificadores do periódicoISSN: 2220-4156 • E-ISSN: 2587-9766
EditoraOb-Ugric Institute of Applied Researches and Development (PUBLISHER • RU)
DOI10.30624/2220-4156-2025-15-3-421-428
OpenAlexW4416785456
IdiomaEN

Introduction: the article is devoted to the study of the figurative space and value orientations in the poetry of S. S. Dinislamova, and it is also part of a complex of studies in Russian literary criticism concerning the problems of studying the author’s worldview. The work highlights the specific features of the work of female poets. Objective: to conduct a conceptual analysis of the opposition «Life – Death» in the poetic texts by S. S. Dinislamova and to reveal the features of its representation in the author’s worldview. Research materials: poetic texts by the Mansi author S. S. Dinislamova. Results and novelty of the research: for the first time, the conceptual opposition “Life – Death” is analyzed in the lyrical works of S. S. Dinislamova as an important component of the author’s worldview. The results of this study show that the associative-figurative and emotional-evaluative layers of the poet’s works contain models (both universal and individual) that form the opposition between the artistic concepts of Life and Death. The semantic field "Life" includes the lexemes "gift", "gift from God", "flight", "notes", "drop of water", "coin", and "white day". Illnesses and sins are presented as obstacles. "Death" is understood as the inevitable end of one’s life. The semantic field "Death" includes "change of seasons", "fatigue", "difficult life situation", "threat to life", "rain", and "clouds". The heroine of S. S. Dinislamova perceives death as a personified being. The color, figurative, and emotional aspects of this opposition are based on antithesis

Velocidade de citaçãohistorical
Altamente citadoNão
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