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Native Acts

Indian Performance, 1603-1832

Dados Bibliográficos

ID7307946
AutoresM Stevens (0000-0002-2023-8564, autor correspondente), S M Stevens (Newberry Library, autor correspondente)
Ano2013
Volume100
Fascículo2
Páginas498-499
Data de publicação2013-08-13
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoJournal of American History (JOURNAL)
Identificadores do periódicoISSN: 0021-8723 • E-ISSN: 1945-2314
EditoraOxford University Press (OUP) (PUBLISHER)
DOI10.1093/jahist/jat201
OpenAlexW1969747498
IdiomaEN
Citações recebidas1

Few peoples suffer under the weight of a single concept as much as Native Americans do under the notion of “authenticity.” Non-Indians want to know who the “real Indians” are or whether certain traditions and activities are indeed authentic. We have various ideas of what it is to play Indian or even to “go native,” but all of these notions raise the specter of Indianness as something performed. Phrases such as “honest injun” and “Indian giver” are reminders of the polarities between truthfulness and duplicity ascribed in times past to the Indian character. Both phrases homogenize Native American cultural diversity even as they assert essentialist notions about a monolithic Indian. With the trope of honesty comes the implication of guileless naïveté, and with “Indian giving” comes the assertion that Indians cannot be trusted to keep their word—an even more bitter irony given the failure of settler colonial powers to live up to their treaty obligations. Performing is often seen to be in opposition to being—just as acting seems opposed to sincerity

Art · Assertion · Complicity · Honesty · Irony · Literature · Opposition (politics · Political science · Sincerity · History · Indigenous Health, Education, and Rights · Law · Philippine History and Culture · Vietnamese History and Culture Studies

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Obras citantes distintas1
Citações por ano0,2
Intervalo de citações2021 - 2021 (1)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 1
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