Contemporary Native Artists and International Biennial Culture

Ensconced throughout much of the 1980s and 1990s in institutions dedicated to Native art, in recent years Native artists and curators have turned their attention to the opportunities for global visibility afforded by international exhibitions and art fairs, with particular focus on the Venice Biennale. Formerly focused on issues specific to the history of settler colonialism in the United States and Canada—land, treaty rights, and sovereignty; citizenship and the legal fictions of identity and blood quantum—the work of Native artists in the 21st century has come to share much with the work of a current generation of “itinerant artists” active in the international art world. Taking recent Native participation in the Venice Biennale as a case study, this article considers the new global visibility of Native artists and the problematics of “going global” for Native artists, whose aesthetic authority has been figured as literally “grounded” specific local landscapes

Art Education and Development · Art, Politics, and Modernism · Artistic and Creative Research

• Fluent in Venice

  Sibyl Fisher•Interventions•2015

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• A Cloudburst in Venice

  Jessica L Horton•American Art•2015

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• Transgressing the Exhibition

  Open Access•Sophie Anna Holzberger•Visual Anthropology Review•2021

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• In and Out of Place

  Open Access•C Harris•Visual Anthropology Review•2012

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• Alone on the Snow, Alone on the Beach

  Open Access•Jessica L Horton•Journal of Transnational American…•2012

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• "Running the "Medicine Line

  Kristal Morris, Kate Morris•The American Indian Quarterly•2011

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• Visuality Without Form

  Open Access•Rebekah Cupitt, Per-Anders Forstorp et al.•Qualitative Inquiry•2019

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• Connexions and condensation in the work of Jimmie Durham

  Open Access•Sophie Moiroux•Interethnic - Revista de Estudos…•2014

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• Native Hubs

  Renya K Ramirez•Native Hubs•2007

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• One Place after Another

  Miwon Kwon•One Place after Another•2002

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• Postindian Conversations

  Steven Salaita•Genre•2000

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• Indian Country” on Washington's Mall—The National Museum of the American Indian

  Open Access•Janet Catherine Berlo, Aldona Jonaitis•Museum Anthropology•2005

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• The given land

  Scott L Pratt•Philosophy and Geography•2001

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• In Our Language’

  W Jackson Rushing, W Jackson Rushing III•Third Text•2005

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• Rebecca Belmore and James Luna on Location at Venice

  Open Access•Charlotte Townsend‐gault•Art History•2006

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• "Authentic/Ex-Centric" at the Venice Biennale

  Salah M Hassan, Olu Oguibe•African Arts•2001

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• Reappropriating Redskins

  Open Access•N M Mithlo•Visual Anthropology Review•2004

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• A thousand plateaus

  Félix Guattari, Gilles Deleuze•A thousand plateaus•1987

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• The Curator's Moment

  Michael Brenson•Art Journal•1998

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• The National Museum of the American Indian

  Amanda J Cobb•The American Indian Quarterly•2005

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• God Is Red

  George Tinker, George E Tinker et al.•The American Indian Quarterly•1994

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• "We Have All Been Colonized"1

  N M Mithlo•Visual Anthropology•2004

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