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The Past is Never Past

The Call and Response between Marvel's Black Panther and Early Black Speculative Fiction

Dados Bibliográficos

ID7554367
AutoresValerie Babb (autor correspondente)
Ano2020
Volume53
Fascículo2
Páginas95-109
Data de publicação2020-01-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoAfrican American Review (JOURNAL)
Identificadores do periódicoISSN: 1062-4783 • E-ISSN: 1945-6182
EditoraProject MUSE (PUBLISHER • US)
DOI10.1353/afa.2020.0015
OpenAlexW3035874969
IdiomaEN
Citações recebidas3

Many reviews of the film Black Panther (2018) source its popularity to its Afrofuturism. Contemporary ardency might also stem from the movie's resonance with past ideas, as well. Black Panther engages long‐established Afrofuturist themes and owes a debt to the nineteenth- and turn‐of‐the‐twentieth‐century black speculative fiction of Martin R. Delany's Blake; or, The Huts of America (1859‐62), John Edward Bruce's The Black Sleuth (1907‐09), Pauline Hopkins's Of One Blood. Or, The Hidden Self (1901‐03). The movie illuminates a continuum between past and present ideas of homeland, diaspora, and racial identities

Art · Art history · Diaspora · Homeland · Literature · Popularity · Sociology · Comics and Graphic Narratives · Gender Studies · Gothic Literature and Media Analysis · History · Utopian, Dystopian, and Speculative Fiction

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Obras citantes distintas3
Citações por ano1
Intervalo de citações2023 - 2024 (2)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 3
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