A method of intuition
Becoming, Relationality, Ethics
Dados Bibliográficos
| ID | 8065751 |
|---|---|
| Autores | R Coleman (0000-0002-1390-2180, Lancaster University, autor correspondente) |
| Ano | 2008 |
| Volume | 21 |
| Fascículo | 4 |
| Páginas | 104-123 |
| Data de publicação | 2008-10-03 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | History of the Human Sciences (JOURNAL) |
| Identificadores do periódico | ISSN: 0952-6951 • E-ISSN: 1461-720X |
| Editora | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/0952695108095514 |
| OpenAlex | W2142248751 |
| Idioma | EN |
| Citações recebidas | 14 |
| Referências citadas | 22 |
This article examines social research on the relations between (young) women's bodies and images through Bergson's method of intuition, which suggests that the only way a thing can be known is through coinciding with the uniqueness of its becoming. I suggest that in this aim, intuition is, necessarily, an intimate research method. Rather than apply Bergson's argument to this area of social research, I examine the resonances between his philosophical method and the moves within social research to attend to the performativity, creativity or inventiveness of research methods. With a focus on my own research, which explored the relations between 13 girls' bodies and images from a feminist-Deleuzian position, I argue here that the interconnected issues of becoming, uniqueness and coincidence that Bergson raises connect with concerns in social research about ontology, concepts and methods. In particular, I suggest that relationality is crucial to these connections. Drawing through the significance of relations, I argue that intimate, intuitive research is desirable because of the ethics that it opens up and enables; ethics intimate in attention to the becoming unique to the object at stake in research and in the attempt to coincide with this uniqueness
Argument (complex analysis · Creativity · Epistemology · Intuition · Performativity · Sociology · Uniqueness · Gender Roles and Identity Studies · Gender, Feminism, and Media · Philosophy · Posthumanist Ethics and Activism · Psychology · Social Psychology
Affirmative Critique as Minor Qualitative Critical Inquiry
Introduction
Steps to Follow
Speculative machines and us
The Cyndi Lauper Affect
Pricing bodies
Other durations, other rhythms
Using metaphors to cross the divide between feminist theory and pedagogical design
Media, witnessing, and intersubjectivity after the 2005 London bombings
Ontological Shift in Classical Criminology
Media, Witnessing and Intersubjectivity after the 2005 London Bombings
Face, Authenticity, Transformations and Aesthetics in Second Life
Mixing creative and qualitative methods
Researchers of the World, Create
An introduction to metaphysics
Looking on
Visual and Other Pleasures
An Intimate Distance
The Becoming of Bodies
Growing up in the culture of slenderness
Film and the Masquerade
Post‐feminism and popular culture
After Method
A thousand plateaus
Parables for the Virtual
How do Women Look? The Female Nude in the Work of Suzanne Valadon
Simians, Cyborgs, and Women
Enacting the social
| Obras citantes distintas | 14 |
|---|---|
| Citações por ano | 1 |
| Intervalo de citações | 2012 - 2025 (14) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 14 |