The Hunger Artists
Starving, Writing, and Imprisonment
Dados Bibliográficos
| ID | 8091879 |
|---|---|
| Autores | Maud Ellmann (autor correspondente) |
| Ano | 1993 |
| Páginas | 136 |
| Data de publicação | 1993-12-31 |
| Open Access | Não |
| Tipo | BOOK |
| Periódico | Hunger Artists (SOURCE_BOOK) |
| Editora | Harvard University Press (PUBLISHER • US) |
| DOI | 10.4159/harvard.9780674331082 |
| OpenAlex | W1482651068 |
| Open Library | OL29183214M |
| ISBN | 9780674331082 |
| Idioma | EN |
| Citações recebidas | 78 |
The phenomenon of voluntary self-starvation - whether by political hunger strikers or lone anorectics - is a puzzle of engrossing power, suggesting a message more radical than any uttered aloud. In this fascinating phenomenology, Maud Ellmann teases out this message, its genesis, expression, and significance. How, she asks, has the act of eating become the metaphor for compliance, starvation the metaphor for protest? How does the rejection of food become the rejection of intolerable social constraints - or of actual imprisonment? What is achieved at the extremity of such a protest - at the moment of death? Ellmann brilliantly unravels the answers; they lie, she shows, in the inverse relationship between bodily hunger and verbal expression. Drawing her examples from Yeats and Kafka, Marx and Freud, Wole Soyinka and the suffragettes, Mahatma Ghandi and Jane Fonda, she explores the entangled meanings of writing and hunger in our culture of starvers. Central to her discussion is an arresting comparison between the Irish Hunger Strike of 1981 and the plot of Richardson's Clarissa, in which the heroine starves herself to death in penance for - or, perhaps, revenge against - her rape. Both cases show a strange excess of words in contrast to the savage reduction of the flesh, as if the bodies of the starvers were devoured by their own verbosity. The Hunger Artists examines this vampirical feeding of words on flesh, revealing uncanny affinities between the labor of starvation and the birth of letters, diaries, poems, books. In her lean and vibrant prose, Ellmann reaches beyond the fashionable preoccupation with the body to the terrifying logic of disembodiment
Art · Criminology · Imprisonment · Literature · Metaphor · Poetry · Political science · Politics · Psychoanalysis · Sociology · Starvation · Theology · Gender Studies · History · Irish and British Studies · Law · Medicine · Philosophy · Psychology · Theatre and Performance Studies · 1981 · Anorexia nervosa · Anorexia nervosa in literature · Great britain · Irish Hunger Strike · northern ireland · Political aspects · Political aspects of Anorexia nervosa · samuel Richardson (1689-1761) · Social aspects · Social aspects of Anorexia nervosa · Strikes and lockouts
Tasting Modernism
Starving Where People Can See
Embodied Memory
“Women of Color in the U.S.”
Notes from the (Non)Field
From Politics to Professionalism
Necessary Torture? Vivisection, Suffragette Force-Feeding, and Responses to Scientific Medicine in Britain c. 1870-1920
Deliberate Starvation
Disorderly eating in contemporary women’s writing
Disorderly eating in Marie Ndiaye’s ‘La Gourmandise’, or The solitary pleasure of a Mère de famille
Living on Pea-nuts
“Was auf den Tisch kam, mußte aufgegessen […] werden”
‘The word with an aura’
Irish Culture and Colonial Modernity 1800–2000
Reading African Complexities Today
El hambre, la carestía alimentaria y las aproximaciones culturalistas
Fat Bodies in Space
The Alimentary Forms of Religious Life
Feminism, Aerobics and the Politics of the Body
Reading Disorders
“Appeal from this fiery bed …”
Agents of national memory revisited
L'anorexie
Incongruous Bodies
In the End, the One Who has Nothing Wins
The Irish Conflict” and the experiences of female ex-combatants in the Irish Republican Army
Genders, Bodies, Borders
Positioning relapse and recovery through a cultural lens of desire
Anorexia and Abjection
Refugitive and the theatre of dys-appearance
The Theatricalization of Death
Suicide or Dynamite”
The savage reduction of the flesh”
Bodies in Hunger
The Women’s Weapon’
Kafka’s Panther and Rabbi Nachman’s Turkey
Representing young men’s experience of anorexia nervosa
I Have Always Been Scared of You
Thinness and Other Refusals in Contemporary Fashion Advertisements
Spectacular suffering
All's Fair in Love and War
Representing the “Hungry Forties” in Image and Verse
Matthew Arnold's Diet
Gaskell's Food Plots and the Biopolitics of the Industrial Novel
Conrad's Ideas of Gastronomy
Theorising Ireland
The lovely substance of the mother’
More than a Woman? Embodiment and Sexual Difference in Medical Law
My Body and Other Stories
The Waning of the Light”
Use words. Not your body”
Bulimia and force feeding
Pretty in Ink
Refusing Consumption and Querying Genre
Perséphone sur le divan
Feminizing Famine, Imperial Critique
Undying, unliving, unheard
I Only Need Sunlight and Water”
Erica Jong's Textual Bulimia
Apostles of Abstinence
Food, meaning-making and ontological uncertainty
Body Politics and Embodied Subjectivity in Margaret Atwood’s “The Man from Mars”
Un transhumanisme ' à mains nues
The scenography of suicide
Protesting like a Girl
Modernity/Monstrosity
Open Your Mouth to Receive The Host of the Wounded Word
Death and the dinner party
Introduction1
Feeding the hungry heart
Fasting Women, Living Skeletons and Hunger Artists
Till Death do us Part
At Dawn, our Bellies Full
The Twice-Killed
The Body Beautiful
Learning to listen
The anorexic body
To lie down to death for days
| Obras citantes distintas | 78 |
|---|---|
| Citações por ano | 2,36 |
| Intervalo de citações | 1993 - 2026 (34) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 76 |