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Capturing Cruelty

Camera Hunting, Water Killing, and Winslow Homer’s Adirondack Deer

Dados Bibliográficos

ID8105722
AutoresAnnie Ronan (autor correspondente)
Ano2017
Volume31
Fascículo3
Páginas52-79
Data de publicação2017-11-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoAmerican Art (JOURNAL)
Identificadores do periódicoISSN: 1073-9300 • E-ISSN: 1549-6503
EditoraUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/696115
OpenAlexW2770365032
IdiomaEN
Citações recebidas10
Referências citadas10

In a series of watercolors executed between 1889 and 1892, Winslow Homer repeatedly forces the viewer into decidedly uncomfortable confrontations with dead and dying deer. Picturing a hunting method that American sportsmen condemned for being particularly cruel and difficult to watch, these works represent the artist’s engagement with late nineteenth-century debates about the perils of witnessing nonhuman suffering. Like many of Homer’s other late-career animal paintings, they meditate on the self-abnegation, the emotional and perceptual self-discipline, that the strictures of sport, science, and art then demanded from the human observer of animal pain. At a time when new photographic technologies, and specifically the newly established practice of “camera hunting,” promised easy relief from these humane dilemmas, Homer’s watercolors celebrate the heroism of struggling against sympathy, of striving for mechanical objectivity without mechanical means. His watercolor snapshots present an alternative vision of sporting art, a strenuous art for the strenuous life

Aesthetics · Art · Criminology · Cruelty · Objectivity (philosophy · Painting · Sympathy · Visual arts · Geographies of human-animal interactions · Philosophy · Psychology

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  • Marcel Duchamp, Copyright, and the Emergence of Art as Idea

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  • Anisa̱lag̱a’s Claim to the “Seattle Pole”

    Emily Moore, Emily L Moore•American Art•2023

  • Conclusion

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  • Can Animals Own Copyright

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  • Image Rights, Proprietorship, and Precedent in Cedric Dover’s American Negro Art (1960)

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  • Copyright and Creative Practice

    Anne Collins Goodyear•American Art•2023

  • Many Hands Make Light-Fingered Work

    Baird Jarman•American Art•2023

  • The Rise of the American Conservation Movement

    Open Access•Dorceta E Taylor•Rise of the American Conservation…•2016

  • Revitalizing the "Painted-Out" North

    Sarah Burns•American Art•1995

  • The Expression of the Emotions in Man and Laboratory Animals

    Jed Mayer•Victorian Studies•2008

  • The ‘Smooth Cool Men of Science

    Hilda Kean•History Workshop Journal•1995

  • Manliness and Civilization

    Gail Bederman•Manliness and Civilization•1995

Obras citantes distintas10
Citações por ano3,33
Intervalo de citações2023 - 2023 (1)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 10
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