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Dismantling cyborg politics

Decolonial hope in Chinese science fiction

Dados Bibliográficos

ID8134352
AutoresXiaohui Liang (0000-0001-6351-2538, University of Science and Technology Beijing, autor correspondente)
Ano2026
Volume62
Fascículo1
Páginas1-16
Data de publicação2026-03-12
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoJournal of Postcolonial Writing (JOURNAL)
Identificadores do periódicoISSN: 1744-9855 • E-ISSN: 1744-9863
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17449855.2025.2602750
OpenAlexW7135064246
IdiomaEN
Referências citadas23

This article critiques the western-centric limitations of Donna Haraway’s cyborg politics, a discourse long hailed as a beacon of hope in feminist and posthumanist critical theories, through a reading of two Chinese science fiction works, namely Chen Qiufan’s Waste Tide and Lu Ban’s “Themis”. It argues that the cyborg’s liberatory potential is circumscribed by its entanglement with global capitalist and local patriarchal systems. While techno-hybridity promises transcendence, these narratives show that it instead reinforces oppression. The narratives further reveal that this co-option stems from the western epistemological framework that prioritizes technological domination and extraction, leading to ecological and social ruin. In response, decolonial hope emerges through radical refusal of the capitalist-patriarchal logic and epistemic disobedience. Ultimately, the novels envision planetary sustainability by turning to indigenous animist world views, reframing hope from technological transcendence to a collective praxis of co-belonging as a mode of introducing healing to a damaged Earth.

China · Chinese literature · Postcolonial literature · Postcolonialism (international relations · Ecocriticism and Environmental Literature · Gothic Literature and Media Analysis · Utopian, Dystopian, and Speculative Fiction

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Velocidade de citaçãohistorical
Altamente citadoNão
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