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The Rhetoric of Cinematic Improvisation

Dados Bibliográficos

ID8905112
AutoresVirginia Wright Wexman (autor correspondente)
Ano1980
Volume20
Fascículo1
Páginas29-29
Data de publicação1980-01-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoCinema Journal (JOURNAL)
Identificadores do periódicoISSN: 0009-7101 • E-ISSN: 1527-2087
EditoraJSTOR (PUBLISHER)
DOI10.2307/1224969
OpenAlexW2319939763
IdiomaEN
Citações recebidas2

Considering the importance of improvisation for many moder filmmakers, it is surprising that the technique has received so little critical attention. In part this is due to the lack of interest among serious critics in film acting: elements of mise-en-scene, montage, and camera technique have historically occupied a central position in discussions of film artistry. Yet the contributions of actors are also an important part of cinema, now more than ever before when the collaboration of actors, writers and directors has been emphasized by recent films that stress improvisation. What the directors who work in collaboration with actors seem to be striving for is the sense of discovery that comes from the unexpected and unpredictable in human behavior. If we think of art as a means of giving form to life, improvisation can be looked at as one way of adding to our sense of the liveliness of art, a means of avoiding the sterility that results from rote recitations of

Aesthetics · Art · Humanities · Improvisation · Rhetoric · Theology · Visual arts · Art, Politics, and Modernism · Artistic and Creative Research · Cinema and Media Studies · Philosophy

  • Guys Being Dudes

    Faith Boyte•Quarterly Review of Film Studies•2025

  • Improvisation in the Arts

    Open Access•Aili Bresnahan•Philosophy Compass•2015

Obras citantes distintas2
Citações por ano0,18
Intervalo de citações2015 - 2025 (11)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 2
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