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The Mystery Plays of Michael Kirby

Notes on the Esthetics of Structuralist Theatre

Dados Bibliográficos

ID8917908
AutoresNicola Carroll (0000-0001-8344-1220, autor correspondente), Noël Carroll
Ano1979
Volume23
Fascículo3
Páginas103-112
Data de publicação1979-09-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoThe Drama Review TDR (JOURNAL)
Identificadores do periódicoISSN: 0012-5962 • E-ISSN: 2326-2060
EditoraThe MIT Press (PUBLISHER • US)
DOI10.2307/1145233
OpenAlexW2801299486
IdiomaEN
Citações recebidas1

As a sculptor, photographer, playwright and director, Michael Kirby has been and is still an articulate proponent of the interanimation of the arts. As a practitioner as well as a theoretician of several arts, he has made and defended work that not only mixes media but also transposes forms and preoccupations of one art to others. Kirby’s commitment to the lively cross-fertilization of the arts partially accounts for the rise of Structuralist Theatre since that movement, in certain respects, appears to have been influenced in important ways by the tendency of Minimalist Art referred to as systemic painting. Some of Kirb’s Structuralist plays, like Revolutionary Dance and Identity Control, are composed of a series of dramatic, narrative vignettes that have no apparent causal or chronological relation. Kirby created his dramatic incidents as a painter might choose a color or shape, i.e., with an eye to its place in the overall formal structure

Aesthetics · Art · Art history · Dance · Identity (music · Literature · Narrative · Painting · Performance art · Relation (database · Sociology · The arts · Visual arts · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History · Theatre and Performance Studies

  • Guy de Cointet

    Open Access•Franziska Solte, Barbara Fitton Hauß•Signata•2020

Obras citantes distintas1
Citações por ano0,17
Intervalo de citações2020 - 2020 (1)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 1
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