Piscator's Rasputin

The theatrical flashpoint In the 1920's was Berlin. The aftermath of war, revolution and putsch; the increasing polarization of society; inflation and depression, which revealed the flaws in industrial capitalism; the example of Russia, which under Lenin still provided an ideal of heroic political action—all formed a creative ferment that found expression on the German stage with its traditional claim to be a “moral tribunal.” The primary challenge was to develop ways of representing a new, distinctively twentiethcentury perception of reality. As Brecht put it: Just the grasping of a new range of material requires a new dramatic and theatrical form. Can we speak about finance in heroic couplets?...Petroleum struggles against the five-act form.... The dramatic technique of Hebbel and Ibsen is insufficient by far for dramatizing even a simple press release

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