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Censorship and Its Changing Taboos on the Egyptian Stage—From Politics and Religion to Sexual Frustration

Dados Bibliográficos

ID8965877
AutoresDina Amin Saleh (Villanova University, autor correspondente), Dina Amin (0000-0002-9787-9140)
Ano2008
Volume40
Fascículo2
Páginas181-184
Data de publicação2008-04-17
Open AccessSim
TipoARTICLE
PeriódicoInternational Journal Middle East Studies (JOURNAL)
Identificadores do periódicoISSN: 0020-7438 • E-ISSN: 1471-6380
EditoraCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0020743808080458
OpenAlexW2102536532
IdiomaEN

When asked about “political control of a population,” Michel Foucault responded, “[P]ower had to gain access to the bodies of individual, to their acts, attitudes, and modes of everyday behavior . . .I believe that the political significance of the problem of sex is due to the fact that sex is located at the point of intersection of the discipline of the body and the control of the population.” This insight is often reflected in the relationship between literature that deals with the body and the discipline imposed on it by various institutions (whether religious or social) in the form of censorship. One good example of that “ethical” exercise of power versus dramatic literature emerged when Sameh Mahran, a professor at the Cairo Academy of Arts, wrote Al-Marakbi (The Boatman), a play in two acts with an epilogue

Censorship · Human sexuality · Political science · Politics · Population · Power (physics · Sociology · The arts · Demography · Gender Studies · Islamic Studies and History · Jewish and Middle Eastern Studies · Law · Middle East Politics and Society · Psychology · Social Psychology

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