African American ethos and hermeneutical rhetoric

This essay explores the ways through which Alain Locke's anthology of African American art and criticism, The New Negro: An Interpretation, constituted an African American ethos during the Harlem Renaissance. Loche enacted a hermeneutical rhetoric that reinterpreted black folk tradition, African artistry, and modem pragmatism as topoi for rhetorical practice, and his discursive strategies appropriated and modified divergent cultural traditions to invent a “New Negro. “Locke's hermeneutical rhetoric exhibits an aesthetic praxis that is sensitive to the ways in which the emotions habituate rhetorical and cultural practices, which inform the achievement of propriety

Aesthetics · Art · Criticism · Epistemology · Ethos · Interpretation (philosophy) · Linguistics · Literature · Praxis · Rhetoric · Rhetorical criticism · Rhetorical question · Sociology · Theology · Topos theory · Anthropology · Literature, Film, and Journalism Analysis · Philosophy · Race, History, and American Society · Rhetoric and Communication Studies

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