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Gestural Interpretation of the Occult in the Bin Kadi-So Adaptation of Macbeth

Dados Bibliográficos

ID9250883
AutoresMarie-José Hourantier (autor correspondente)
TradutoresR H Mitsch
Ano1999
Volume30
Fascículo4
Páginas135-143
Data de publicação1999-12-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoResearch in African Literatures (JOURNAL)
Identificadores do periódicoISSN: 0034-5210 • E-ISSN: 1527-2044
EditoraIndiana University Press (PUBLISHER • US)
DOI10.2979/ral.1999.30.4.135
OpenAlexW1997075228
IdiomaEN

The Bin Kadi-So adaptation of Macbeth 1 explores different levels of reality that lead us to participate in an occult world, where everything occurs in a muted atmosphere and the essentials of action are woven together. In that mysterious universe that Tradition reveals to us by facilitating its communication with our plane of existence, we can study the actor's gestural performance when his or her eyes encounter the unseen, ears the unheard, and hands the untouchable. The actor leads the spectator into places that are familiar, where the boundaries between the visible and the invisible are abolished and the actor both unleashes and struggles against dark forces

Action (physics) · Adaptation (eye) · Aesthetics · Art · Atmosphere (unit) · Bin · Interpretation (philosophy) · Linguistics · Occult · Physics · Computer Science · History · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism · Theatre and Performance Studies

Velocidade de citaçãohistorical
Altamente citadoNão
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