History, Tragedy, Theory
Dialogues on Athenian Drama
Dados Bibliográficos
| ID | 9290486 |
|---|---|
| Autores | Richard Jones (0000-0002-0904-3141), Richard D P Jones (autor correspondente), Barbara Goff (0000-0003-0598-2843) |
| Ano | 1998 |
| Volume | 91 |
| Fascículo | 5 |
| Páginas | 437-437 |
| Data de publicação | 1998-01-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | The Classical World (JOURNAL) |
| Identificadores do periódico | ISSN: 0009-8418 • E-ISSN: 1558-9234 |
| Editora | JSTOR (PUBLISHER) |
| DOI | 10.2307/4352136 |
| OpenAlex | W619424171 |
| Idioma | EN |
| Citações recebidas | 72 |
In this book, some of the foremost scholars of Greek drama explore the work of all three great tragedians and approach them from a variety of perspectives on history and theory, including poststructuralism and Marxism. They investigate the possibilities for coordinating theoretically informed readings of tragedy with a renewed attention to the pressure of material history within those texts. The collection thus represents a response within classics to New Historicism and the debates it has generated within related literary disciplines
Art · Drama · Literature · Tragedy (event · Classical Antiquity Studies · Contemporary and Historical Greek Studies · History · Philosophy
The Dark Side of Democratic Courage
Hesiod’s Theogony and the Folk Tale
Reconstructing Archetypes
Conclusion
Homeric Fire, Aiginetan Glory, Panhellenic Reception
Night Thoughts (Archilochus 23 and 196a West)
Bacchylides 15: Troy in Athens
Contexts
Hipponactea quaedam
Dionysius’ Ear
Desperate Straits and the Tragic Stage
Bacchylides and the Kuklios Khoros: Performance, Genre, and Reception
Pindaric Accompaniments
Erasmus on Homer’s Moly
‘Darkness, my Light’
Critical Notes on the Greek Paroemiographers
Tradition and Contextualization
Smileumata Iliaka
Housman’s Greek
The Politics of Fantasy
Homage to G&R 2nd ser. 11 (1964)
Problems in the Prologue and Parodos of Bacchae
Enacting History and Patriotic Myth
Low Words in High Places
The Homeric Hymn to Hermes
Terminal Problems
A Human Fable and the Justice of Beasts in Archilochus
Lucian and Archilochus, or
Greek Tragedy
What’s in a Line? Papyrus Formats and Hephaestionic Formulae
Some Poetic Connections of Lycophron’s Alexandra
Tragic Interpolation and Philip II
The Monster and the Monologue
Sophocles’ Learning Curve
Her Mother Her Self
Plotinus
Lyric Oblivion
Greek Tragedy and the Theatre of Sisterhood
Female Violence towards Women and Girls in Greek Tragedy
Plotinus on Memory, Recollection and Discursive Thought
Aristophanes and his Muses, or Memory in a Comic Key
Claudius Aelianus
Political Thought
The Place and Nature of Memory in Greek Historiography
Memory, the Orators, and the Public in Fourth-century bc Athens
Women in Love in the Fragmentary Plays of Sophocles
The Greek Philosophers on How to Memorise – and Learn
Suffering in Silence
Is Memory of the Past?
Hellenistic Cultural Memory
Economies of Memory in Greek Tragedy
Greek Memories
Women and the Comic Plot in Menander
Heracles and Euripidean Tragedy
Female Characters in Fragmentary Greek Tragedy
Gouldner's Tragic Vision
Gouldner's Tragic Vision
Can the subaltern smile? Oedipus without Oedipus
Poppies, scarlet flowers, ‘this beauty’
Democracy in an Age of Tragedy
Her Mother Her Self
Aeschylus' Eumenides
Athena's Entrance at Eumenides 405 and Hippotrophic Imagery in Aeschylus's Oresteia
The Rhetorical Resolution of Sophokles’ Aias
Roman Agamemnon
Agonistic Homegoing
From This Far Place
The demos in Greek tragedy
Aeschylus' geographic imagination
Bacchylides
Hesperos
Greek Tragedy in Vergil's Aeneid
| Obras citantes distintas | 72 |
|---|---|
| Citações por ano | 2,67 |
| Intervalo de citações | 1999 - 2024 (26) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 71 |