Ptolemaic Cavalrymen on Painted Alexandrian Funerary Monuments
Dados Bibliográficos
| ID | 9352003 |
|---|---|
| Autores | Sara E Cole (J. Paul Getty Museum, autor correspondente) |
| Ano | 2019 |
| Volume | 8 |
| Fascículo | 2 |
| Páginas | 58-58 |
| Data de publicação | 2019-04-28 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Arts (JOURNAL) |
| Identificadores do periódico | ISSN: 2076-0752 • E-ISSN: 2076-0752 |
| Editora | Multidisciplinary Digital Publishing Institute (PUBLISHER • CH) |
| DOI | 10.3390/arts8020058 |
| OpenAlex | W2942782552 |
| Idioma | EN |
| Citações recebidas | 6 |
| Referências citadas | 29 |
The multiethnic environment of Ptolemaic Alexandria resulted in cross-cultural transmission of funerary practices and associated material culture that introduced many traditions to Egypt from the Mediterranean world. Along with an influx of mercenaries serving in the Ptolemaic army came cultural and artistic knowledge from their places of origin, which they (or their families) incorporated into their burials. One motif, which appears on late 4th–3rd-century painted funerary monuments from Alexandria, is that of a soldier on horseback, alluding to images of the heroic hunter or warrior on horseback found in tombs in the regions of northern Greece. These Alexandrian monuments commemorated members of the Ptolemaic cavalry, some of whom are identified as Macedonian or Thessalian by accompanying Greek inscriptions. The image of a soldier astride his rearing horse not only emphasized the deceased’s military status, but also established a link with Macedonian and Ptolemaic royal iconography. This type of self-representation served a number of purposes: to signal the deceased’s cultural and geographic origins, demonstrate his elite role in Ptolemaic society and imply connections to the Ptolemaic court, all of which were important to the immigrant inhabitants of early Alexandria as they sought to express their identity in a new geographical, cultural, and political setting
Ancient history · Archaeology · Art · Bulgarian · Elite · Geography · Iconography · Macedonian · Politics · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies · Classics · Historical, Religious, and Philosophical Studies · History · Law
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Farewell to Arms – Farewell in Arms
Negotiating Identity through the Architecture and Interior Decoration of Elite Households in Ptolemaic Egypt
Signed by Valerius
The Kausia Boy Figurines From Demetrias
Demography and the Graeco-Roman World
The Odrysian Kingdom Of Thrace
Army and Society in Ptolemaic Egypt
The Hellenistic Age from the Battle of Ipsos to the Death of Kleopatra VII
The Eye Expanded
Founding Alexandria in the Alexandrian Imagination
Trois dédicaces au dieu Hèrôn
Sociable Man
The Art of Contact
Ancient Alexandria between Egypt and Greece
The Hellenistic World
Chasses royales macédoniennes et chasses royales perses
Inscriptions and Iconography in the Monuments of the Thracian Rider
Inscribed Sepulchral Vases from Alexandria
Alexander the Great in Fact and Fiction
Les Galates dans l'art alexandrin
The Social and Economic History of the Hellenistic World
Aspects of Death in Early Greek Art and Poetry
Four Hellenistic Funerary Stelae from Gephyra, Macedonia
| Obras citantes distintas | 6 |
|---|---|
| Citações por ano | 1 |
| Intervalo de citações | 2020 - 2025 (6) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 6 |