A Bursting Zero of Unknowing

Overcoming the Paradox of Infinite Knowledge in Heinrich von Kleist's “Über das Marionettentheater” and Robert Walser's Jakob von Gunten

Dados Bibliográficos

ID9856926
AutoresSamuel Frederick (0000-0001-5794-1459, Pennsylvania State University, autor correspondente)
Ano2013
Volume88
Fascículo4
Páginas375-390
Data de publicação2013-10-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoThe Germanic Review Literature Culture Theory (JOURNAL)
Identificadores do periódicoISSN: 0016-8890 • E-ISSN: 1930-6962
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00168890.2013.842871
OpenAlexW2088715284
IdiomaEN
Citações recebidas3

If to attain infinite knowledge is to relinquish the finite act of knowing, which necessarily divides and distinguishes, then pure knowing must be closer to a mode of unknowing. This paradox animates both Kleist's “Über das Marionettentheater” and Walser's Jakob von Gunten, each of which suggests that to access the absolute requires emptying oneself of thought so as to become like a puppet, which is no different than becoming a god. Using Kleist as an intertextual source, this article reads the “riddle” of Jakob von Gunten as an instantiation of this negative knowledge, which Walser deploys as both the philosophical and narrative engine of his novel. In analyzing the novel's rhetorical and narrative experiments, the article shows how these enact its titular figure's overcoming of the paradox of absolute knowing. Ultimately, this analysis also introduces a paradigm for reading the critical features of Walser's idiosyncratic work as a whole

Absolute (philosophy · Art · Epistemology · Linguistics · Literature · Narrative · Reading (process · Rhetorical question · Zero (linguistics · German Literature and Culture Studies · Linguistic research and analysis · Literature and Cultural Memory · Philosophy