Cairo Studies in English
Journal Data
| Type | JOURNAL |
|---|---|
| ISSN | 0575-1624 / 2682-2504 |
| OpenAlex | S4210185564 |
| Total publications | 2 |
| Coverage period | 2022 - 2024 |
| Country | EG |
| Language | EN |
This journal focuses on "English Studies," which primarily encompasses literature, linguistics, and cultural studies related to the English language. While cultural studies is a cognate area, the specific focus on English Studies makes its anthropological content occasional rather than structural. It is a broader humanities venue, meriting a score of 2
American Literature and Culture · Contemporary Literature and Criticism · Digital Communication and Language · Digital Games and Media · Discourse Analysis in Language Studies · Folklore, Mythology, and Literature Studies · Globalization and Cultural Identity · Irish and British Studies · Islamic Studies and History · Jewish and Middle Eastern Studies
A Talk with Dipesh Chakrabarty
The talk delves into Dipesh Chakrabarty’s scholarship, with a special focus on his seminal works, including The Calling of History: Sir Jadunath Sarkar and His Empire of Truth (2015) and The Climate of History in a Planetary Age (2021). About the need to re-envision concepts engrained in colonial legacies, such as democracy, human rights and equity, Chakrabarty argues that the conversational and dynamic nature of historical knowledge can serve as…
Post-Modern Re-Enchantment in Disney's Animated Film Encanto (2021) in Light of Max Weber’s Critique of Rationality
Weber’s theory of disenchantment consists of three stages: the pre-modern, the modern, and the post-modern. The three stages are characterized, respectively, by the ideals of enchantment, disenchantment, and re-enchantment. The three stages are traced simultaneously in Disney animated musical feature film, Encanto. The first part of the Madrigals' story mirrors Weber’s pre-modern world of enchantment: the stage of magical religiosity. In this sta…
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Post-Modern Re-Enchantment in Disney's Animated Film Encanto (2021) in Light of Max Weber’s Critique of Rationality
Weber’s theory of disenchantment consists of three stages: the pre-modern, the modern, and the post-modern. The three stages are characterized, respectively, by the ideals of enchantment, disenchantment, and re-enchantment. The three stages are traced simultaneously in Disney animated musical feature film, Encanto. The first part of the Madrigals' story mirrors Weber’s pre-modern world of enchantment: the stage of magical religiosity. In this sta…
A Talk with Dipesh Chakrabarty
The talk delves into Dipesh Chakrabarty’s scholarship, with a special focus on his seminal works, including The Calling of History: Sir Jadunath Sarkar and His Empire of Truth (2015) and The Climate of History in a Planetary Age (2021). About the need to re-envision concepts engrained in colonial legacies, such as democracy, human rights and equity, Chakrabarty argues that the conversational and dynamic nature of historical knowledge can serve as…