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Ceremonial Sculptures of the Roman Gods

Journal Data

TypeSOURCE_BOOK
PublisherBrill (NL)
ISBN-139789004242265
Open LibraryOL17487215W
Total publications13
Coverage period2013 - 2013
LanguageEN
Cited by12
h-index1
i10-index1

The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne ceremonies, or participate in divine banquets. In addition to defining the characteristics of these ceremonial sculptures, this study also addresses their performative qualities: where and how they appeared, who was responsible for handling them, with what conventions of decorum, and with what response from the audience

  • D. Greek & Latin Words

    Brian Madigan•CHAPTER•2013

  • Chapter 2 Litter Statues

    Brian Madigan•CHAPTER•2013

  • C. Personal Names

    Brian Madigan•CHAPTER•2013

  • Chapter 4 Exuviae

    Brian Madigan•CHAPTER•2013

    This study examines the visual and textual evidence for free-standing images of gods which functioned ceremonially in order to determine the distinct formats, the defining characteristics, and in which ceremony or ceremonies each type functioned.

  • B. Place Names

    Brian Madigan•CHAPTER•2013

  • Chapter 1 Processional Statuettes

    Brian Madigan•CHAPTER•2013

    This study examines the visual and textual evidence for free-standing images of gods which functioned ceremonially in order to determine the distinct formats, the defining characteristics, and in which ceremony or ceremonies each type functioned.

  • Epilogue

    Brian Madigan•CHAPTER•2013

  • A. Ancient Texts

    Brian Madigan•CHAPTER•2013

  • Preliminary Material

    Brian Madigan•CHAPTER•2013

  • Chapter 3 Capita Deorum

    Brian Madigan•CHAPTER•2013

  • Appendix Inscriptional and Papyrological Texts

    Brian Madigan•CHAPTER•2013

  • E. General Subjects

    Brian Madigan•CHAPTER•2013

  • The Ceremonial Sculptures of the Roman Gods

    Brian Madigan•BOOK•2013•Cited by: 12

    The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne cerem…

  • The Ceremonial Sculptures of the Roman Gods

    Brian Madigan•BOOK•2013•Cited by: 12

    The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne cerem…

  • D. Greek & Latin Words

    Brian Madigan•CHAPTER•2013

  • Chapter 2 Litter Statues

    Brian Madigan•CHAPTER•2013

  • C. Personal Names

    Brian Madigan•CHAPTER•2013

  • Chapter 4 Exuviae

    Brian Madigan•CHAPTER•2013

    This study examines the visual and textual evidence for free-standing images of gods which functioned ceremonially in order to determine the distinct formats, the defining characteristics, and in which ceremony or ceremonies each type functioned.

  • B. Place Names

    Brian Madigan•CHAPTER•2013

  • Chapter 1 Processional Statuettes

    Brian Madigan•CHAPTER•2013

    This study examines the visual and textual evidence for free-standing images of gods which functioned ceremonially in order to determine the distinct formats, the defining characteristics, and in which ceremony or ceremonies each type functioned.

  • Epilogue

    Brian Madigan•CHAPTER•2013

  • A. Ancient Texts

    Brian Madigan•CHAPTER•2013

  • Preliminary Material

    Brian Madigan•CHAPTER•2013

  • Chapter 3 Capita Deorum

    Brian Madigan•CHAPTER•2013

  • Appendix Inscriptional and Papyrological Texts

    Brian Madigan•CHAPTER•2013

  • E. General Subjects

    Brian Madigan•CHAPTER•2013

  • The Ceremonial Sculptures of the Roman Gods

    Brian Madigan•BOOK•2013•Cited by: 12

    The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne cerem…

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