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The Cambridge companion to Christopher Marlowe

Journal Data

TypeSOURCE_BOOK
PublisherCambridge University Press (US)
ISBN-139780521527347
Open LibraryOL18252049W
Total publications5
Coverage period2004 - 2004
LanguageEN

Christopher Marlowe was one of the great pioneers of both the Elizabethan stage and modern English poetry. This book considers topics such as his life, texts, style, politics, religion and classicism, as well as his representations of sexuality and gender, geography and identity.

  • Dido, Queen of Carthage and The Massacre at Paris

    Open Access•Sara Munson Deats•CHAPTER•2004

    On first consideration, Dido, Queen of Carthage and The Massacre at Paris may seem an odd couple to discuss in tandem. In many ways the plays represent polarities within the Marlowe canon. Despite the many questions surrounding the dating of Dido, Queen of Carthage , most scholars agree that it is Marlowe's first dramatic effort, perhaps scripted while he was still a student at Cambridge, and The Massacre at Paris one of his last, probably writte…

  • Geography and identity in Marlowe

    Open Access•Garrett A Sullivan•CHAPTER•2004

    Foreign settings in early modern English drama are often assumed to be as vague and imprecise as Shakespeare's famously non-existent Bohemian shore in The Winter's Tale . Designed to generate a nebulous sense of Otherness, foreign landscapes are sometimes little more than evocatively alien. Standing as an obvious exception to this view are the plays of Christopher Marlowe, in which dramatic location is carefully chosen: Tamburlaine's imperial con…

  • Marlowe’s men and women

    Open Access•Kate Chedgzoy•CHAPTER•2004

    The society in which Marlowe lived and wrote, and the fictional worlds he created in his writings, were highly gender-segregated. Different physical, emotional, and intellectual qualities were ascribed to men and women, and to a significant extent they inhabited distinct social spaces. These gender divisions shaped the ways in which men and women came to know themselves as such, profoundly affecting the possibilities for sexual desire and express…

  • The Cambridge companion to Christopher Marlowe

    Patrick Gerard Cheney•BOOK•2004

    Christopher Marlowe was one of the great pioneers of both the Elizabethan stage and modern English poetry. This book considers topics such as his life, texts, style, politics, religion and classicism, as well as his representations of sexuality and gender, geography and identity.

  • Marlowe and the politics of religion

    Open Access•Paul Whitfield White•CHAPTER•2004

    It is a critical commonplace that religion and politics were inseparably entwined in Marlowe's England. Queen Elizabeth was 'Supreme Governess' of the Church of England, and the Church of England's leading primate, Archbishop John Whitgift, wielded considerable authority as a member of her Privy Council. Since monarchical rule was divinely sanctioned with the queen herself as God's vice-regent, disobedience to her laws was not just a crime, but a…

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  • Dido, Queen of Carthage and The Massacre at Paris

    Open Access•Sara Munson Deats•CHAPTER•2004

    On first consideration, Dido, Queen of Carthage and The Massacre at Paris may seem an odd couple to discuss in tandem. In many ways the plays represent polarities within the Marlowe canon. Despite the many questions surrounding the dating of Dido, Queen of Carthage , most scholars agree that it is Marlowe's first dramatic effort, perhaps scripted while he was still a student at Cambridge, and The Massacre at Paris one of his last, probably writte…

  • Geography and identity in Marlowe

    Open Access•Garrett A Sullivan•CHAPTER•2004

    Foreign settings in early modern English drama are often assumed to be as vague and imprecise as Shakespeare's famously non-existent Bohemian shore in The Winter's Tale . Designed to generate a nebulous sense of Otherness, foreign landscapes are sometimes little more than evocatively alien. Standing as an obvious exception to this view are the plays of Christopher Marlowe, in which dramatic location is carefully chosen: Tamburlaine's imperial con…

  • Marlowe’s men and women

    Open Access•Kate Chedgzoy•CHAPTER•2004

    The society in which Marlowe lived and wrote, and the fictional worlds he created in his writings, were highly gender-segregated. Different physical, emotional, and intellectual qualities were ascribed to men and women, and to a significant extent they inhabited distinct social spaces. These gender divisions shaped the ways in which men and women came to know themselves as such, profoundly affecting the possibilities for sexual desire and express…

  • The Cambridge companion to Christopher Marlowe

    Patrick Gerard Cheney•BOOK•2004

    Christopher Marlowe was one of the great pioneers of both the Elizabethan stage and modern English poetry. This book considers topics such as his life, texts, style, politics, religion and classicism, as well as his representations of sexuality and gender, geography and identity.

  • Marlowe and the politics of religion

    Open Access•Paul Whitfield White•CHAPTER•2004

    It is a critical commonplace that religion and politics were inseparably entwined in Marlowe's England. Queen Elizabeth was 'Supreme Governess' of the Church of England, and the Church of England's leading primate, Archbishop John Whitgift, wielded considerable authority as a member of her Privy Council. Since monarchical rule was divinely sanctioned with the queen herself as God's vice-regent, disobedience to her laws was not just a crime, but a…

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