Transnational Mobilities in Early Modern Theater

Journal Data

Type	SOURCE_BOOK
Publisher	Taylor & Francis Group
ISBN-13	9781315549811
Open Library	OL21077820W
Total publications	1
Coverage period	2016 - 2016
Language	EN
Cited by	4
h-index	1

Contents: Introduction, Robert Henke and Eric Nicholson. Part 1 Systems and Theatergrams: The Taming of the Shrew, Italian intertexts, and cultural mobility, Robert Henke Resources in common: Shakespeare and Flaminio Scala, Richard Andrews 'Are you a comedian?': the trunk in Twelfth Night and the intertheatrical construction of character, Melissa Walter. Part 2 The Pastoral Zone: Hymen and the gods on stage in Shakespeare's As You Like It and Italian pastoral, Susanne L. Wofford Et in Arcadia the dirty brides, Eric Nicholson. Part 3 Performance Texts and Costumes: Dido, boy diva of Carthage: Marlowe's Dido tragedy and the Renaissance actress, Pamela Allen Brown Forms of fashion: material fabrics, national characteristics, and the dramaturgy of difference on the early modern English stage, Christian M. Billing. Part 4 Northern and Central European Mobilities: Shakespeare's 'portrait of a blinking idiot': transnational reflections, M.A. Katritzky English comedy and central European marionette drama: a study in theater etymology, Pavel Drabek. Part 5 Translation Theory and Practice: Trade in exile, Jacques Lezra Found and lost in translation, Alessandro Serpieri Shakespeare's untranslatability, David Schalkwyk Lebedeff, Kendal, Dutt: three travelers on the Indian stage, Shormishtha Panja. Epilogue: Early modern theater in motion: the example of Orpheus, Jane Tylus. Select bibliography Index

Cross-cultural studies