Jews and Muslims Made Visible in Christian Iberia and Beyond, 14th to 18th Centuries
Journal Data
| Type | SOURCE_BOOK |
|---|---|
| Publisher | Brill (NL) |
| ISBN-13 | 9789004395701 |
| Total publications | 2 |
| Coverage period | 2019 - 2019 |
| Language | EN |
This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite different from a binary story of simple opposition. The book’s point of departure narrates the relationship between images and conversions, analysing the mechanisms of hybridity, and proposing a new explanation for the representation of otherness as the complex outcome of a negotiation involving integration. Contributors are: Cristelle Baskins, Giuseppe Capriotti, Ivana Čapeta Rakić, Borja Franco Llopis, Francisco de Asís García García, Yonatan Glazer-Eytan, Nicola Jennings, Fernando Marías, Elena Paulino Montero, Maria Portmann, Juan Carlos Ruiz Souza, Amadeo Serra Desfilis, Maria Vittoria Spissu, Laura Stagno, Antonio Urquízar-Herrera.
Jews and Muslims Made Visible in Christian Iberia and Beyond, 14th to 18th Centuries
This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite differen…
Defeating the Enemy
The aim of this paper is to analyze the historical reasons for the use of the image of the Turkish slave (that was created in the late 16th century in Venice, after the battle of Lepanto) in two altarpieces realized in the second half of the 18th century in the Marche region, that is a periphery of the Papal States. The first work is an Our Lady of the Rosary, preserved in the Santissimo Sacramento church of Petriolo, in the province of Macerata,…
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Jews and Muslims Made Visible in Christian Iberia and Beyond, 14th to 18th Centuries
This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite differen…
Defeating the Enemy
The aim of this paper is to analyze the historical reasons for the use of the image of the Turkish slave (that was created in the late 16th century in Venice, after the battle of Lepanto) in two altarpieces realized in the second half of the 18th century in the Marche region, that is a periphery of the Papal States. The first work is an Our Lady of the Rosary, preserved in the Santissimo Sacramento church of Petriolo, in the province of Macerata,…