Subversive Narratives of Borders and Nations: A Reading of Debendranath Acharya’s Jangam and Amitav Ghosh’s The Glass Palace L. Gogoi • 2022
Psycho-scapes: Fictionalising Nations and Nationalisation of the Self in Bilal Tanweer’s The Scatter Here Is Too Great I. Afzal • 2022
Challenging the Romance of the Techno/Metropolis: The Social Critique of the ‘City’ in Zac O’Yeah’s Crime Trilogy S. Bhattacharya • 2022
Linguistic Movements and Political Heterogeneity: Rethinking Unification Movement across British and ‘Princely’ Karnataka V.M. Boratti • 2022
Who Is a Migrant? Understanding Migrant’s Identity in a North Indian Industrial Setting S.K. Dhal • 2022
Waqf and Authority Dynamics: Reconfigurations of a Pious Institution in Colonial Malabar, South India M.K. Naseef • 2022
Rethinking South Asian Media Historiography: Excavating Princely India’s Media Cultures with Reference to Jammu and Kashmir State I. Parray • 2022
Ladakh and the Creative Greening of the Desert: The Life Work of Sonam Wangchuk and Rebecca Norman Through Alternative Practices in Education and Farming S. Visvanathan • 2021
‘Bonbibi’ Could Wait Till Our Boss Decides: Looking at the Changing Face of the Indian Sundarbans P. Mukhopadhyay • 2021
The Impact of the COVID-19 Pandemic on the Transgender Community in Lahore: A Conversation with Khursand Bayar Ali N. Kirmani • 2021
Leaving Home, Coming Home: The Uncertain Lives of the Sundarban Migrants During the Global Pandemic P. Mukhopadhyay • 2021