Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Zuni and the American Imagination

Bibliographic Data

ID10016376
AuthorsLarry J Zimmerman, Larry Zimmerman (0000-0003-1006-9717, University of Iowa, corresponding author), Eliza McFreely
Year2002
Volume89
Issue1
Pages236-236
Publication date2002-06-01
Open AccessNo
TypeARTICLE
VenueJournal of American History (JOURNAL)
Journal identifiersISSN: 0021-8723 • E-ISSN: 1945-2314
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.2307/2700844
OpenAlexW2397389582
LanguageEN
Citations received5

Like many other American Indian nations, the Zuni survived the onslaught of Euro-American culture. Although intense pressures from the Spanish and then American colonizers constantly pushed them toward assimilation, they resisted. Culturally damaged and forced to adapt, they still managed to retain the core of their identity and practices. The forces of contact, however, were not one way. The Zuni, as it turns out, also had an impact on the colonizers, visible in influences on novelists such as Aldous Huxley in his Brave New World (1932) and Robert Heinlein in his Stranger in a Strange Land (1961) and on scholars such as Ruth Benedict in Patterns of Culture (1934). Eliza McFeely considers the source of this influence to be centered in the work of three early anthropologists, Frank Hamilton Cushing, Matilda Stevenson, and Stewart Culin, who studied the Zuni during the late 1800s into the early 1900s. As mid-Victorians, the three anthropologists were middle-class people who craved prestige and respect, loved the exotic and remote, and needed to be in control of situations. Their opportunity came with the fluid American social structure of the post–Civil War period. They found themselves in a situation in which anthropology was defining itself as a professional discipline and in which Native Americans were thought to be disappearing. Associated with the nascent Bureau of American Ethnology, founded in 1879, they began a series of expeditions to the Southwest that continued into the new century. Although they saw themselves as preserving an endangered culture, as much as anything they were entangled in a process of defining a discipline and themselves as individuals

Aesthetics · Archaeology · Art · Cherokee · Culture of the United States · Ethnology · Identity (music · Native american · Political science · Prestige · Sociology · Anthropology · Anthropology: Ethics, History, Culture · Archaeology and Natural History · History · Latin American history and culture · Law · Philosophy

  • Chiefs, Scribes, and Ethnographers

    James Howe•Chiefs, Scribes, and Ethnographers•2009

  • Tribal Critical Race Theory in Zuni Pueblo

    Open Access•Miranda H Belarde-Lewis, Sarah R Kostelecky et al.•Knowledge Justice•2021

  • In Pursuit of the Ceremonial

    Karen Lucic, Bruce Bernstein•Journal of the Southwest•2008

  • The Leisure Class versus the Tourists

    Richard O Clemmer•History and Anthropology•2008

  • An Ethnographic Filmflam

    Open Access•J L Jackson•American Anthropologist•2004

Citations per year0.23
Citation span2004 - 2021 (18)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae