How the Working Class Saved Capitalism
The New Labor History and The Devil and Miss Jones
Bibliographic Data
| ID | 10016807 |
|---|---|
| Authors | Michael Rogin (University of California, Berkeley, corresponding author) |
| Year | 2002 |
| Volume | 89 |
| Issue | 1 |
| Pages | 87-87 |
| Publication date | 2002-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of American History (JOURNAL) |
| Journal identifiers | ISSN: 0021-8723 • E-ISSN: 1945-2314 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.2307/2700785 |
| OpenAlex | W2008308455 |
| Language | EN |
| Citations received | 4 |
It is over now, agrees Nelson Lichtenstein, but all labor history seems either to have looked forward to this moment of mass industrial unionism or backward upon those two decades [the 1930s and 1940s] when American politics stood on verge of acquiring a European, social democratic character. 1 Far from looking forward and backward from the age of cIo [Congress of Industrial Organizations], as Michael Denning has characterized thirties, film history orients itself instead around rise and fall of classic Hollywood studio system. Motion pictures grew out of immigrant working class, whose children constituted core constituencies for both classic Hollywood and cio. The vital
Capitalism · Class (philosophy · Economic history · Economics · Genealogy · Labor history · Labor relations · Labour economics · Political science · Politics · Working class · Artificial Intelligence · Computer Science · History · Law · Race, History, and American Society
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,19 |
| Citation span | 2005 - 2021 (17) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |