Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Approaches to the Study of Film in the Third Reich

A Critical Appraisal

Bibliographic Data

ID10075320
AuthorsDavid Weinberg (corresponding author)
Year1984
Volume19
Issue1
Pages105-126
Publication date1984-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Contemporary History (JOURNAL)
Journal identifiersISSN: 0022-0094 • E-ISSN: 1461-7250
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/002200948401900106
OpenAlexW2062988729
LanguageEN
Citations received4

There is more than a touch of irony in the recent scandal surrounding the publication of Adolf Hitler's alleged diaries. In a bizarre way, the riveting of public attention on the banal musings of the greatest propagandist of the Third Reich seems to corroborate the nazis' cynical conviction that the 'media' is a vital instrument in the shaping and manipulation of popular emotions and attitudes. Nowhere was this more evident than in the attitude of the Third Reich towards film. Biographers of nazi leaders have often emphasized the obsession which men like Hitler and Goebbels had with movies. As a regime committed to an irrational ideology, the Third Reich was drawn naturally to a medium whose appeal lay in its ability to alter reality to create the proper emotional effect. Not surprisingly, the Reichsfilmkammer or State Film Agency was one of the first bodies established by the Ministry of Propaganda soon after the nazis' accession to power in 1933. Yet despite their significance in shaping the attitudes and actions of nazi leaders and their supporters, films produced during the Third Reich have until recently received little scholarly attention by historians. Practical problems have been a major stumbling block. Many films have chemically decomposed after years of neglect. Others simply

Aesthetics · Agency (philosophy · Appeal · Art · Ideology · Nazi Germany · Nazism · Political science · Politics · Power (physics · Social science · Sociology · European history and politics · German History and Society · History · Italian Fascism and Post-war Society · Law

  • Forgetting аbout traumatic past? On the position of film music composers in post-WWII germany

    Open Access•Agnieszka Piotrowska, Anna Piotrowska•Muzikologija•2024

  • Heavy Hands and Light Touches’

    Open Access•Jo Fox•History Compass•2003

  • Misinformation, Missing Information, and Conjecture

    Robert E Peck•Media History•2000

  • Starring Kamuzu

    David Hirschmann•Journal of Contemporary African…•1995

Unique citing works4
Citations per year0,13
Citation span1995 - 2024 (30)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae