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Copyrights and Creativity

Evidence from Italian Opera in the Napoleonic Age

Bibliographic Data

ID10176184
AuthorsMichela Giorcelli (National Bureau of Economic Research), Petra Moser (National Bureau of Economic Research)
Year2020
Volume128
Issue11
Pages4163-4210
Publication date2020-06-25
Open AccessNo
TypeARTICLE
VenueJournal of Political Economy (JOURNAL)
Journal identifiersISSN: 0022-3808 • E-ISSN: 1537-534X
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/710534
OpenAlexW4232934402
LanguageEN
Citations received11
References cited16

This paper exploits variation in the adoption of copyrights within Italy—due to the timing of Napoléon's military victories—to investigate the causal effects of copyrights on creativity. Baseline regressions compare changes in opera production across Italian states with and without copyrights. This analysis yields three main results. First, the adoption of copyrights led to a significant increase in the number of newly created operas. Second, copyrights raised the quality of new operas, measured both by their immediate success and by their longevity. Third, there were no benefits from copyright extensions beyond the life of the original creator

Advertising · Art · Business · Creativity · Economics · Exploit · Literature · Longevity · Macroeconomics · Opera · Political science · Production (economics · Quality (philosophy · Art History and Market Analysis · Computer Science · Copyright and Intellectual Property · Italy: Economic History and Contemporary Issues · Law · Medicine · Philosophy

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Citations per year2.2
Citation span2021 - 2026 (6)
Highly citedNo

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