Co‐Option of Graffiti and the Persona of the Artist in the Neoliberal Age
Bibliographic Data
| ID | 10192200 |
|---|---|
| Authors | P Mani Mathew (0000-0002-6287-9191, corresponding author) |
| Year | 2019 |
| Volume | 52 |
| Issue | 5 |
| Pages | 1141-1162 |
| Publication date | 2019-10-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Journal of Popular Culture (JOURNAL) |
| Journal identifiers | ISSN: 0022-3840 • E-ISSN: 1540-5931 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/jpcu.12843 |
| OpenAlex | W2981096965 |
| Language | EN |
| Citations received | 1 |
| References cited | 22 |
Art · Art history · Citation · Graffiti · Humanities · Library science · Persona · Visual arts · Computer Science · History · Public Spaces through Art · Urban and sociocultural dynamics
Popular Fads and Crazes through American History
The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media
The Graffiti Subculture
Distinction
Consumer Culture and Postmodernism
The Neo-Liberal Revolution
Cities and the Geographies of “Actually Existing Neoliberalism”
Fools' Names and Fools' Faces are Always Seen in Public Places
Whatever Happened to the Graffiti Art Movement
The practice of everyday life
Brief History of Neoliberalism
Artists, Aestheticisation and the Field of Gentrification
The Crucial 'Where' of Graffiti
Street Art and the Changing Urban Public Sphere
Placing post-graffiti
Graffiti as Career and Ideology
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |