Entering the Pit
Slam‐dancing and Modernity
Bibliographic Data
| ID | 10193371 |
|---|---|
| Authors | Bradford Scott Simon (Research Complex at Harwell, corresponding author) |
| Year | 1997 |
| Volume | 31 |
| Issue | 1 |
| Pages | 149-176 |
| Publication date | 1997-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Journal of Popular Culture (JOURNAL) |
| Journal identifiers | ISSN: 0022-3840 • E-ISSN: 1540-5931 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.0022-3840.1997.3101_149.x |
| OpenAlex | W2115331432 |
| Language | EN |
| Citations received | 8 |
| References cited | 19 |
Art history · Citation · Library science · Modernity · Political science · Sociology · Computer Science · History · Law · Music History and Culture · Public Spaces through Art · Social and Cultural Dynamics
Sound effects
Identity Crisis
Cut `n' Mix
Discipline and Punish
Purpose and Mind
Outline of a Theory of Practice
Comparative Youth Culture
The Protestant Ethic and the Spirit of Capitalism
Statements of Fear through Cultural Symbols
The End of the Body
The Anthropology of Performance
Dramas, Fields, and Metaphors
Absolute Freedom in Trinidad
Language, Anthropology and Cognitive Science
Resistance and its Consequences
Juvenile Delinquency in Sweden
| Citations per year | 0.3 |
|---|---|
| Citation span | 1999 - 2019 (21) |
| Highly cited | No |