Life Isn't Some Cartoon Musical”
Neoliberal Identity Politics in Zootopia and Orange Is the New Black
Bibliographic Data
| ID | 10194591 |
|---|---|
| Authors | Dan Hassler‐forest (corresponding author) |
| Year | 2018 |
| Volume | 51 |
| Issue | 2 |
| Pages | 356-378 |
| Publication date | 2018-04-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Journal of Popular Culture (JOURNAL) |
| Journal identifiers | ISSN: 0022-3840 • E-ISSN: 1540-5931 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/jpcu.12658 |
| OpenAlex | W2886692947 |
| Language | EN |
| Citations received | 1 |
| References cited | 16 |
rejoice. Amidst the ongoing culture wars, representations of women and minorities had been slowly but steadily improving in American film and television: the latest Disney princesses provided role models that were no longer necessarily straight and white, the notoriously white Star Wars franchise was undergoing noticeable diversification, and activist groups like Black Lives Matter were once again putting issues like racial profiling and police departments' abuse of power on the national agenda. So even if the war had not yet been won, some crucial battles clearly seemed to have been decided, and with the appointment of the first female President of the United States seemingly a foregone conclusion, the long arc of history did indeed seem to be bending toward justice
Aesthetics · Art · Identity (music · Musical · Orange (colour · Political science · Politics · Sociology · Visual arts · Gender Studies · Gender, Feminism, and Media · History · Horticulture · Law · Music History and Culture · Spatial and Cultural Studies
| Citations per year | 0.17 |
|---|---|
| Citation span | 2020 - 2020 (1) |
| Highly cited | No |