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Quasi‐color consciousness

Casting, race, and sexual violence in Netflix's Bridgerton

Bibliographic Data

ID10196347
AuthorsEmma Lynn (0009-0007-2763-6526, Colorado State University Fort Collins Colorado USA, corresponding author)
Year2024
Volume57
Issue5-6
Pages308-319
Publication date2024-08-19
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of Popular Culture (JOURNAL)
Journal identifiersISSN: 0022-3840 • E-ISSN: 1540-5931
PublisherWiley (PUBLISHER • GB)
DOI10.1111/jpcu.13375
OpenAlexW4401975121
LanguageEN
Citations received2
References cited28

The hit Netflix series Bridgerton (2020–) updates the period drama for the twenty‐first century with its racially diverse cast. Despite the series' potential for subverting racial hierarchies, this article argues that Bridgerton does not fully account for racist social structures, replicates racial stereotypes, and, most crucially, delegitimizes Black men as victims of sexual violence. These representational quandaries stem from Bridgerton 's use of the casting and narrative practice “quasi‐color consciousness.” Quasi‐color consciousness provides more nuanced language beyond colorblind casting to account for television producers' efforts (and shortcomings) to create racially diverse contemporary television programming

Consciousness · Criminology · Race (biology · Sexual violence · Sociology · Women of color · Cinema and Media Studies · Gender Studies · Gender, Feminism, and Media · Media, Gender, and Advertising · Psychology

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Unique citing works2
Citations per year2
Citation span2025 - 2026 (2)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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