The Public Baptism of M uslims in Early Modern S pain and P ortugal

This article seeks to consider the role played by emotions, or rather emotional display, in the public spectacle of the conversion of infidels in early modern S pain and P ortugal. It begins with a concise examination of the ritual of public baptism, based chiefly on evidence gleaned from surviving accounts of four large ceremonies held in L isbon (1588), S eville (1625 and 1672), and B arcelona (1723), as well as two smaller public baptisms in the village of F itero in S pain (1659) and the town of E stremoz in P ortugal (1739). It then focuses on the account of the public baptism of a M uslim that took place in S eville in 1625 — by far the most detailed account — to highlight the importance given to the emotional responses of both the convert (to establish his sincerity) and the spectators in these ceremonies. Finally, it examines the wider social function of these spectacles and argues that their organisers, beyond their own personal or institutional motives, exploited the conversion of infidels in order to create a sense of communal identity binding the spectators together through their collective emotional response to specific symbols

Aesthetics · Art · Baptism · Collective identity · Identity (music · Political science · Sincerity · Sociology · Spectacle · Early Modern Women Writers · History · Law

• The Emotional Dimensions of Colonial Rule in the Sixteenth-Century Andes

  George Clay•Sixteenth Century Journal•2025

  Add to list