The Effects of a Positive Mindset Trigger Word Pre-Performance Routine on the Expressive Performance of Junior High Age Singers
Dados Bibliográficos
| ID | 10201328 |
|---|---|
| Autores | Paul Broomhead (0000-0002-2256-3520, Brigham Young University, Provo, UT, USA, autor correspondente), Jon B Skidmore (Brigham Young University, Provo, UT, USA), Dennis L Eggett (0000-0003-4109-4827, Brigham Young University, Provo, UT, USA), Melissa M Mills (Independent Researcher, Silver Spring, MD, USA) |
| Ano | 2012 |
| Volume | 60 |
| Fascículo | 1 |
| Páginas | 62-80 |
| Data de publicação | 2012-02-15 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Journal of Research in Music Education (JOURNAL) |
| Identificadores do periódico | ISSN: 0022-4294 • E-ISSN: 1945-0095 |
| Editora | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/0022429411435363 |
| OpenAlex | W1985475198 |
| Idioma | EN |
| Citações recebidas | 8 |
| Referências citadas | 52 |
The effects of a positive mindset trigger word intervention on the expressive performance of individual junior high singers were tested in this study. Participants ( N = 155) were assigned randomly to a control group or an experimental group. Members of the experimental group participated in a 40-min intervention while members of the control group participated in normal rehearsal. The intervention involved a pre-performance routine of breathing and silently repeating the words bold, confident, and free. It also involved practice activities for applying the technique to performance. Participants were tested individually directly before and after the intervention and 2 weeks later. Results indicated a significant positive effect on Overall Expressive Performance ( p < .001) and on the subcategories Dynamics ( p < .001), Performance Factors ( p < .001), and Timing ( p < .001). There was no significant effect on subcategories Articulation ( p = .195) and Tone ( p = .035). Implications were that (1) use of positive mindset trigger words in a pre-performance routine may bring immediate improvement in expressive performance for junior high age singers, (2) junior high age singers may possess higher levels of expressive performance skill than they or teachers recognize, and (3) review and repetition likely are needed for junior high age students to retain the intervention benefits
Articulation (sociology · Developmental psychology · Intervention (counseling · Mindset · Communication in Education and Healthcare · Diverse Music Education Insights · Neuroscience and Music Perception · Psychology
A PRISMA review of research on music practice
Young Musicians' Learning of Expressive Performance
Experiences of developing pre-performance routines with recreational pianists
Pre-performance routines for music students
How music education students embrace pre-performance rituals to enhance their craft
Psychological interventions for the self-regulated enhancement of music performance
Perform “like a king”
A good news story
Does mental practice enhance performance?
Emotional Expression in Music Performance
Performance Analysis and Chopin's Mazurkas
Improving Emotional Communication in Music Performance through Cognitive Feedback
Emotion perceived and emotion felt
Mastery through imitation
Expression, Perception, and Induction of Musical Emotions
A Review of the Approaches to the Management of Tension and Stage Fright in Music Performance
The Effect of Various Instructional Conditions on Expressive Music Performance
Musicians' Cognitive Processing of Imagery-Based Instructions for Expressive Performance
Individual Expressive Performance
The Relationship between Explicit Planning and Expressive Performance of Dynamic Variations in an Aural Modeling Task
Explaining Expressive Performance
Musicians' and Nonmusicians' Assessment of Perceived Rubato in Musical Performance
Listeners' Identification of Musical Expression through Figurative Language and Musical Terminology
Playing Mozart by Analogy
Quantitative Analysis of Phrasing Strategies in Expressive Performance
Methodologies for Expressiveness Modelling of and for Music Performance
Computational Models of Expressive Music Performance
Four Years of Research on Music and Motion
Music from Motion
Rules for automated performance of ensemble music
Managing the Voices
| Obras citantes distintas | 8 |
|---|---|
| Citações por ano | 0,89 |
| Intervalo de citações | 2017 - 2026 (10) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 7 |