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Tone 4 and Tone 3 Discrimination in Modern Standard Chinese

Bibliographic Data

ID10255151
AuthorsEva Gårding (Lund University, corresponding author), Paul Kratochvil (0000-0002-3326-3814, University of Cambridge), Jan-Olof Svantesson (Lund University), Jan‐olof Svantesson, Jialu Zhang (0000-0002-4951-899X, Academia Sinica, Beijing)
Year1986
Volume29
Issue3
Pages281-293
Publication date1986-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLanguage and Speech (JOURNAL)
Journal identifiersISSN: 0023-8309 • E-ISSN: 1756-6053
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/002383098602900307
OpenAlexW2170676426
LanguageEN
Citations received21
References cited5

Productions of Tone 4 and Tone 3 ( mài/măi, ‘sell’/‘buy’) in comparable sentences suggest that although the two tones are realized in different ways by different speakers in different speech acts, some features are constant. Tone 3 is connected with a low pitch level throughout the second half of the vowel and Tone 4 with a gradual fall over the main part of the vocalic segment. These observations were tested in a series of manipulations of pitch movements over mài from Tone 4 to Tone 3 in the sentence Sòng Yán mài niúròu. The manipulated sentences were presented in a test, in which listeners were asked if they heard mài or năi. The result confirmed the observed constant features and indicated in addition that it was important for both tones to have a clear reference. The identification of Tone 4 was favoured by an introductory rising or level part, and for Tone 3 an introductory fall seemed to be important. Creaky voice is a concomitant but not a necessary feature of Tone 3

Acoustics · Audiology · Linguistics · Physics · Sentence · Speech recognition · Tone (literature · Vowel · Computer Science · Medicine · Philosophy · Phonetics and Phonology Research · Psychology

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Unique citing works21
Citations per year0,6
Citation span1991 - 2025 (35)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 21

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