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Interactive Moiré Patterns Reflecting on the Traditional Nanjing Baiju

Bibliographic Data

ID10263298
AuthorsYe Yang (0000-0003-2827-3572, Ye Yang, College of Design and Innovation, Tongji University, Shanghai, Shanghai, 200092, China. Email: [email protected]., corresponding author), Guangxi Chen (0000-0002-4679-5019, Guangxi Chen, The School of Industrial Design, Nanjing University of the Arts, Nanjing, Nanjing, 210000, China. Email: [email protected]., corresponding author), Mengqi Li (0000-0002-9952-3690, Mengqi Li, Email: [email protected]., corresponding author), Kang Zhang (0000-0003-3802-7535, Kang Zhang, Computational Media and Arts Thrust, Hong Kong University of Science and Technology (Guangzhou), Guangdong, China. Email: [email protected]., corresponding author)
Year2023
Volume56
Issue1
Pages10-16
Publication date2023-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLeonardo (JOURNAL)
Journal identifiersISSN: 0024-094X • E-ISSN: 1530-9282
PublisherMIT Press (PUBLISHER • US)
DOI10.1162/leon_a_02219
OpenAlexW4307040628
LanguageEN
References cited10

This article presents a human-machine design approach to the artistic and metaphorical representation of the traditional weaving scenes featured on Yunjin brocade as interactive moiré patterns accompanied by Nanjing Baiju performance. After extracting the basic elements of the eye-shaped moiré patterns, the authors systematically recomposed them to mimic the weaving process. They then wrote an algorithm to generate moiré patterns that respond dynamically to the unique sounds weavers make while weaving, symbolizing the gazes and eye contacts among the weavers. This became an interactive sonic installation, Sweating Weaving Room, which represents the rhythmic machine sounds, the Nanjing Baiju, and the hard labor and harmonious work hidden behind the glamorous brocade

Art · Computer vision · Engineering drawing · Moiré pattern · Process (computing) · Representation (politics) · Visual arts · Weaving · Architecture and Computational Design · Art, Technology, and Culture · Computer Science · Digital Media and Visual Art · Engineering · Mechanical Engineering

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Citation velocityhistorical
Highly citedNo

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