Exploring the Method of Hypothetical Artwork Modelling
Case of the Primary Colours Fallacy
Bibliographic Data
| ID | 10263312 |
|---|---|
| Authors | Jurij Selan (0000-0003-1968-4724, corresponding author) |
| Year | 2010 |
| Volume | 43 |
| Issue | 3 |
| Pages | 314-315 |
| Publication date | 2010-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/leon.2010.43.3.314 |
| OpenAlex | W2114293679 |
| Language | EN |
| References cited | 7 |
The author explores the explicatory powers of the method of hypothetical artwork modelling on the problematic taken from colour theory. While constructing two hypothetical artwork models, the author tries to show that the painters' fallacy concerning primary colours is not necessarily a fallacy at all
Aesthetics · Art · Epistemology · Fallacy · Painting · Visual arts · Aesthetic Perception and Analysis · Color perception and design · Color Science and Applications · Computer Science · Philosophy
Colour as Sensation in Visual Art and in Science
On Creativity and Discovery in the Fine Arts and in the Natural Sciences
Who's Afraid of Picasso's Tie, or Do You See the Catch in Hypothetical Art
The Anatomy of Painting Style
Some Misunderstandings about Color Perception, Color Mixture and Color Measurement
A Critical Account of Some of Josef Albers' Concepts of Color
| Citation velocity | historical |
|---|---|
| Highly cited | No |