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Sound and Silence in the Line

Re-Reading Turkish Islamic Calligraphy for Interactive Media Design

Bibliographic Data

ID10264230
AuthorsAdviye Ayça Ünlüer (0000-0003-0031-204X, Adviye Ayça Ünlüer (educator), Yildiz Technical University, Interactive Media Design Program, Barbaros Bulvari 34349, Yildiz-Istanbul, Turkey..), Oguzhan Özcan (0000-0002-4410-3955, Oguzhan Özcan (educator), Yildiz Technical University, Interactive Media Design Program, Barbaros Bulvari 34349, Yildiz-Istanbul, Turkey..)
Year2010
Volume43
Issue5
Pages450-456
Publication date2010-10-01
Open AccessNo
TypeARTICLE
VenueLeonardo (JOURNAL)
Journal identifiersISSN: 0024-094X • E-ISSN: 1530-9282
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/leon_a_00037
OpenAlexW2091621974
LanguageEN
References cited3

The purpose of the research reported is to argue that “formal” design solutions of past cultures can generate innovative ideas in interactive media design. The authors ask how a traditional art in which body motion is used, namely Turkish Islamic calligraphy—Khatt—can help create innovative solutions for digital interaction design. Taking inspiration from Khatt, the authors have developed a project with the aim of allowing an audience with no prior calligraphy background to experience the performance process of calligraphy by reproducing it themselves. By creating a performance interface that provides predictability components, the authors have correlated the visual compositions with sound

Aesthetics · Art · Calligraphy · Human–computer interaction · Interaction Design · Islam · Linguistics · Multimedia · Painting · Predictability · Reading (process) · Silence · Turkish · Visual arts · Computer Science · History · Innovative Human-Technology Interaction

  • Cultures, the Traditional Shadow Play, and Interactive Media Design

    Oguzhan Özcan•Design Issues•2002

  • The Islamic Dynasties

    Cl C, C Edmund Bosworth•Journal of the Economic and…•1967

Highly citedNo

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